Thursday, December 24, 2009

Baraka (The Film)

http://www.filmfestivals.com/images/dubai/images/Baraka%20-%20film%20still%201.jpg

Wow! Just . . . wow! I'm watching this on DVD on a hi-def TV, but you can watch it on Google video for free (below). Visual poetry.

http://ninjaradio.files.wordpress.com/2009/03/baraka-film-still1.jpg

From Wikipedia:

Baraka (1992) is a Todd-AO (70 mm) non-narrative film directed by Ron Fricke.

The film is often compared to Koyaanisqatsi, the first of the Qatsi films by Godfrey Reggio of which Fricke was cinematographer. Baraka's subject matter has some similarities—including footage of various landscapes, churches, ruins, religious ceremonies, and cities thrumming with life, filmed using time-lapse photography in order to capture the great pulse of humanity as it flocks and swarms in daily activity. The film also features a number of long tracking shots through various settings, including one through former German concentration camps at Auschwitz and Tuol Sleng (in Cambodia) turned into museums honoring their victims: over photos of the people involved, past skulls stacked in a room, to a spread of bones. In addition to making comparisons between natural and technological phenomena, such as in Koyaanisqatsi, Baraka searches for a universal cultural perspective: for instance, following a shot of an elaborate tattoo on a bathing Japanese yakuza mobster with one of Native Australian tribal paint.

The movie was filmed at 152 locations in 24 countries: Argentina, Australia, Brazil, Cambodia, China, Ecuador, Egypt, France, Hong Kong, India, Indonesia, Iran, Israel, Italy, Japan, Kenya, Kuwait, Nepal, Poland, Saudi Arabia, Tanzania, Thailand, Turkey, and the United States. It contains no dialogue. Instead of a story or plot, the film uses themes to present new perspectives and evoke emotion purely through cinema. The film was the first in over twenty years to be photographed in the 70mm Todd-AO format.

The title Baraka is a word that means blessing in many different languages. The score by Michael Stearns and featuring music by Dead Can Dance, L. Subramaniam, Ciro Hurtado, Inkuyo, Brother and David Hykes, is noticeably different from the minimalist one provided by Philip Glass for Koyaanisqatsi. The film was produced by Mark Magidson, who also produced and directed the film Toward the Within, a live concert performance by Dead Can Dance. A sequel to Baraka, Samsara, is planned to be released in 2010.





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