Showing posts with label alchemy. Show all posts
Showing posts with label alchemy. Show all posts

Saturday, April 21, 2012

The Story of Science: Power, Proof and Passion

The Story of Science: Power, Proof and Passion

Cool series . . . had never seen this before.




The Story of Science: Power, Proof and Passion


For thousands of years we have wrestled with the great questions of existence. Who are we? What is the world made of? How did we get here? The quest to answer these is the story of science.

Each week, medical journalist Michael Mosley traces the often unpredictable path we have taken. From recreating a famous alchemist’s experiment, to following in Galileo’s footsteps, and putting himself in the hands of a hypnotist, Michael unpicks how science has changed the way we see ourselves, and the way we see our world.

It is a tale of courage and of fear, of hope and disaster, of persistence and success. It interweaves great forces of history – revolutions, voyages of discovery and artistic movements – with practical, ingenious inventions and the dogged determination of experimenters and scientists.

This is the story of how history made science and how science made history, and how the ideas which emerged made the modern world.

1. What Is Out There? How we came to understand our planet was not at the center of everything in the cosmos.

2. What Is The World Made Of? How atomic theories and concepts of quantum physics underpin modern technology.

3. How Did We Get Here? Michael Mosley tells how scientists came to explain the diversity of life on earth.

4. Can We Have Unlimited Power? The story of how power has been harnessed from wind, steam and from inside the atom.

5. What is the Secret of Life? Michael Moseley tells the story of how the secret of life has been unraveled through the prism of the most complex organism known – the human body.

6. Who Are We? The twin sciences of brain anatomy and psychology have offered different visions of who we are. Now these sciences are coming together and in the process have revealed some surprising and uncomfortable truths about what really shapes our thoughts, feelings and desires.

Wednesday, May 13, 2009

Paul Levy - The Sacred Art of Alchemy

Paul Levy's "The Sacred Art of Alchemy" takes a look at alchemy as a psychological art more than as an attempt to turn lead into gold. Nice introduction for those new to alchemy the Jung worked with it in his three major books on the subject.

The Sacred Art of Alchemy

Paul Levy

Much to his astonishment, C. G. Jung discovered that the ancient art of alchemy was describing, in symbolic language, the journey that all of us must take toward embodying our own intrinsic wholeness, what he called the process of "individuation." As Jung wrote, "I had very soon seen that analytical psychology [the psychology Jung developed] coincided in a most curious way with alchemy. The experiences of the alchemists, were, in a sense, my experiences, and their world was my world. This was, of course, a momentous discovery. I had stumbled upon the historical counterpart of my psychology of the unconscious." The alchemists, over the course of centuries, had generated a wide range of symbolic images which directly corresponded to the anatomy of the unconscious which Jung had been mapping through his painstaking work with thousands of patients. Jung, in illuminating a psychology of the unconscious, can himself be considered a modern-day alchemist. Jung continues that "the entire alchemical procedure....could just as well represent the individuation process of a single individual."

The alchemists had little or nothing to contribute to the field of chemistry, least of all the secret of gold-making. Only our overly one-sided, rational and intellectualized age could miss the point so entirely and see in alchemy nothing but an abortive attempt at chemistry. On the contrary, to the alchemists, chemistry represented a degradation and a "Fall," because it meant the secularization and commercialization of a sacred science. Jung makes the point, "The alchemical operations were real, only this reality was not physical but psychological. Alchemy represents the projection of a drama both cosmic and spiritual in laboratory terms. The opus magnum ["great work"] had two aims: the rescue of the human soul, and the salvation of the cosmos." The alchemists were dreaming big.

The ancient art of alchemy was chiefly concerned with changing something of seemingly little value into something precious, of transforming lead into gold, thereby creating the "philosophers' stone" (the "lapis philosophorum"). The "stone," or "lapis," is not a material substance, however, but is an awakened consciousness, which, though seemingly immaterial, pervades, in-forms and gives rise to all creation. The philosophers' stone doesn't just redeem the individual alchemist, it nonlocally influences the field to such a degree that it was considered to be able to redeem the entire cosmos. The lapis, as Jung emphasizes, is "a psychological symbol expressing something created by man and yet supra-ordinate to him." Alchemy is a timeless, sacred art, as the alchemists' art is to become an instrument for the incarnating deity to make itself real in time and space.

Alchemy is all about creating wealth. The alchemical gold and the philosophers' stone had thousands of names, which was an expression of its all-embracing, numinous and miraculous qualities that cannot be adequately described by language. Regardless of what it is called, the creation of the stone is the goal of the alchemical opus. Alchemy is a mystical art-form, a genuine spiritual path. Jung elaborates, "The mystical side of alchemy, as distinct from its historical aspect, is essentially a psychological problem. To all appearances, it is a concretization, in projected and symbolic form, of the process of individuation."

Read the whole article.


Tuesday, April 14, 2009

Good as Gold - What Alchemists Got Right

Interesting article from The Boston Globe. While many alchemists did seek to transmute metals into gold, others were more interested in the symbolic element - turning the base metal of the soul into a more purified nature of Self.

However, those actually working with the metals may have been the architects of the scientific method, the creation of a hypothesis, a test, and a record of the outcomes. Very cool.

Alchemy

Good as gold

What alchemists got right

By Stephen Heuser, March 15, 2009

THREE HUNDRED YEARS ago, more or less, the last serious alchemists finally gave up on their attempts to create gold from other metals, dropping the curtain on one of the least successful endeavors in the history of human striving.

Centuries of work and scholarship had been plowed into alchemical pursuits, and for what? Countless ruined cauldrons, a long trail of empty mystical symbols, and precisely zero ounces of transmuted gold. As a legacy, alchemy ranks above even fantasy baseball as a great human icon of misspent mental energy.

But was it really such a waste? A new generation of scholars is taking a closer look at a discipline that captivated some of the greatest minds of the Renaissance. And in a field that modern thinkers had dismissed as a folly driven by superstition and greed, they now see something quite different.

Alchemists, they are finding, can take credit for a long roster of genuine chemical achievements, as well as the techniques that would prove essential to the birth of modern lab science. In alchemists' intricate notes and diagrams, they see the early attempt to codify and hand down experimental knowledge. In the practices of alchemical workshops, they find a masterly refinement of distillation, sublimation, and other techniques still important in modern laboratories.

Alchemy had long been seen as a kind of shadowy forebear of real chemistry, all the gestures with none of the results. But it was an alchemist who discovered the secret that created the European porcelain industry. Another alchemist discovered phosphorus. The alchemist Paracelsus helped transform medicine by proposing that disease was caused not by an imbalance of bodily humors, but by distinct harmful entities that could be treated with chemicals. (True, he believed the entities were controlled by the planets, but it was a start.)

"We've got people who are trying to make medicines, which are pharmaceuticals; we've got people who are trying to understand the material basis of the world - very much like a modern engineer, or someone in technology," says Lawrence Principe, a professor of chemistry and the history of science at Johns Hopkins University who is a leading thinker in the revival of alchemy studies.

The field has begun to coalesce as its own academic specialty. Last fall, alchemy scholars gathered at their second academic conference in three years, and in January, Yale University opened an exhibit of rare alchemical manuscripts. For the first time, the leading academic journal of scientific history is planning to publish a special section on alchemy.

To Principe and his colleagues, there is a larger goal. Beyond rehabilitating the reputation of the historical thinkers who considered themselves alchemists, they hope to encourage a broader view of science itself - not as a starkly modern category of human achievement, but rather as part of a long and craftsmanlike tradition of trying to understand and manipulate nature.

Alchemists might have been colossally wrong in their goals, but they were, in some fundamental way, part of the story of science, these scholars say. Robert Boyle and Sir Isaac Newton, fathers of modern chemistry and physics, were also serious students of alchemy. And the fact that alchemists have been marginalized as hand-waving mystics says less about alchemists themselves than about modern society's need to separate itself from the supposedly benighted past.

The roots of alchemy appear to touch nearly every developed culture - alchemists worked in the Far East, India, and the Islamic world. But it was in Europe in the 16th and 17th centuries when alchemy reached its peak of influence, a network of respected and often well-paid specialists laboring in the towns and princely courts of Germany and Italy, as well as in Britain and France. Some alchemists were independent operators, perhaps an assayer in a mining town who hoped to create a little gold on the side; some ran workshops with a dozen apprentices under the patronage of aristocrats. "It's really a surprising range of people who got involved in alchemy in the 16th century," says Tara Nummedal, a historian of alchemy at Brown University. "Alchemy was really part of the popular culture."

What they all shared was a belief that one natural substance could be transmuted into another. An ancient theory of nature held that all matter was in a process of slow but constant change, and the mission of alchemy was to nudge that process along. The highest and purest state of matter was gold, and gold is what alchemists prized most. But even a partial success could yield a valuable material like tin, copper, or silver.

In many ways the alchemists made it easy for later scientists to dismiss them as tall-hatted cranks. Their notebooks are deliberately cryptic; they wrote under arcane pseudonyms and invented fictional authorities. They assumed vast, secret connections between planets and the spiritual world; they saw metals as an expression of the divine.

Even their most serious research was infused with beliefs and terms that sound more like wizardry than like modern lab science - the Philosopher's Stone, the Chemical Wedding, an invisible "vegetative spirit" that suffuses the earth. It is hard to imagine a modern scientist choosing to express his lab findings, as the distinguished German alchemist Michael Maier once did, in a set of 50 musical fugues for three voices, in which mythological characters represented the interacting elements.

That might seem impossibly distant from the idea of modern science, a world of hard data about discrete physical problems, ruled by observable and reproducible fact. But as scholars reexamine the roots of chemistry, they are now seeing less of a clean break than a subtle evolution from one craft to another. Alchemists tried and discarded theories, like scientists did; despite their occult reputation, they often saw themselves less as conduits to the supernatural than as analytical thinkers trying to accelerate and manipulate real physical processes.
Read the whole article.