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From Wikipedia:
The materials used in Andy Goldsworthy's art often include brightly-coloured flowers, icicles, leaves, mud, pinecones, snow, stone, twigs, and thorns. He has been quoted as saying, "I think it's incredibly brave to be working flowers and leaves and petals. But I have to: I can't edit the materials I work with. My remit is to work with nature as a whole."[7] Goldsworthy is generally considered the founder of modern rock balancing. For his ephemeral works, Goldsworthy often uses only his bare hands, teeth, and found tools to prepare and arrange the materials; however, for his permanent sculptures like "Roof", "Stone River" and "Three Cairns", "Moonlit Path" and "Chalk Stones" (Petworth, West Sussex, 2002) he has also employed the use of machine tools. To create "Roof", Goldsworthy worked with his assistant and five British dry-stone wallers, who were used to make sure the structure could withstand time and nature.
Photography plays a crucial role in his art due to its often ephemeral and transient state. According to Goldsworthy, "Each work grows, stays, decays – integral parts of a cycle which the photograph shows at its heights, marking the moment when the work is most alive. There is an intensity about a work at its peak that I hope is expressed in the image. Process and decay are implicit."[8]
Goldsworthy commisioned a work for San Francisco's De Young Museum called "Drawn Stone", which echoes San Francisco's frequent earthquakes and their effects. His installation included a giant crack that broke off into smaller cracks and broken limestone, which could be used for benches. The smaller cracks were made with a hammer adding unpredictablity to the work as he created it. [9]
Two other videos.
Rivers and Tides:
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Environmental Artist:
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