Showing posts with label apocalypse. Show all posts
Showing posts with label apocalypse. Show all posts

Tuesday, December 18, 2012

The World's Coming to an End, I Don't Even Care . . .

As long as I can have my limo / And my orange hair. (Cheech and Chong, "Earache My Eye").

NPR's On Point ran a story yesterday about the "real" Mayan Astrology, since the world is supposed to end this weekend. You know, the Mayan apocalypse.


However, there is no need to be alarmed . . . John Hodgman has given us a Survival Guide for the Coming Apocalypse.

First up, Mayan Cosmology, the Hodgman's Apocalypse survival guide.
December 17, 2012 at 11:00 AM

Mayan Cosmology

The real cosmology of the ancient Maya, as Mayan apocalypse fever hits American pop culture.


A frieze of skulls adorns the side of the Tzompantli, the platform probably used to exhibit sacrificed prisoners at the ancient Maya city of Chichen Itza, with the main pyramid, El Castillo, in the background, in Mexic. (AP)

The shorthand has got the world’s attention. This Friday marks the end of a 5,000-year cycle in the Mayan calendar. Twist and reduce that a little further and you get the “Mayan apocalypse.” Further still and you get the “end of the world.”

Before we all run screaming from the end times, maybe this is a good time to learn a little more, for real, about the Maya and their calendars. Scholars who know roll their eyes at the “end times” talk. It’s just an odometer rolling over, they say. The Maya would laugh.

This hour, On Point: the real cosmology of the ancient Maya versus pop culture’s “Mayan apocalypse.”

-Tom Ashbrook


Guests
William Saturno, professor of archaeology at Boston University. He discovered ancient Maya astronomical tables near Xultun, Guatemala in 2011. In 2001, he found of one of the oldest extant murals yet discovered in the Maya region, at the site of San Bartolo in northeastern Guatemala

Edwin Roman, a native Guatemalan, he is an archaeologist at the University of Texas.
From Tom’s Reading List

New York Times “The discovery at Xultún, made by a team led by William A. Saturno of Boston University, was reported in the journal Science, published online on Thursday, and at a teleconference with reporters. The National Geographic Society, which supported the excavations, will describe the research in the June issue of its magazine.”

Daily Beast “To prepare for the approaching end of the world—a.k.a. the Mayan calendar’s doomsday on Dec. 21—Russian shoppers are clearing out the store shelves in the country’s far north and east, the first places that the apocalypse will supposedly hit. (That fateful moment is known to believers as the time when “the planet enters the Zero Stage,” a total blackout.) The end-timers are buying vodka, of course. They’re also stocking up on matches and candles, which have been going for three to four times the normal rate and have practically disappeared from stores in the cities of Chita and Krasnoyarsk. Even skeptics are stocking up on a few extra kilos of buckwheat, pasta, oatmeal, rice, and salt “for the black day.””

National Geographic “Some 1,600 years ago, the Temple of the Night Sun was a blood-red beacon visible for miles and adorned with giant masks of the Maya sun god as a shark, blood drinker, and jaguar. Long since lost to the Guatemalan jungle, the temple is finally showing its faces to archaeologists, and revealing new clues about the rivalrous kingdoms of the Maya.”
Photos

Check out this gallery of Mayan art discovered by William Saturno.







Video

Tongue firmly in cheek, the Australian prime minister took on the end of the world in this recent video address.

Now, from Open Culture, here is John Hodgman.

John Hodgman Presents a Survival Guide for the Coming Apocalypse 
December 10th, 2012
How can we all survive the apocalypse predicted by the Mayan calendar and make it to the other side of December 21? John Hodgman (you know him from The Daily Show and Apple TV ads) has it all figured out. Hopefully it’s not too much of a spoiler to say load up on mayo and urine while you still have time…. 
h/t Devour

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Tuesday, March 20, 2012

Social Text - Special Issue on Speculation


Some interesting articles in this new issue of Social Text - all of the articles focused in some way on speculation. Here are links and abstracts for the articles.

Speculative Life: An Introduction

In our dystopian present, the term speculation is associated with an epistemology of greed, a sanctioned terrorism, and a new dimension of imperialism no longer based in production but in abstract futures. But speculation means something else for those who refuse to give its logic over to power and profit. >>
"What will you do when the apocalypse comes??" he asked me urgently. My first reaction was to laugh derisively. But a friend made me think twice. "Who knows, maybe he's right," she said. Then came the Tsunami that devastated South Asia in 2004. And the levees that breached during Hurricane Katrina in 2005. Who's to say what's real?>>
Science fictions never present the future, only "a significant distortion of the present," as Delany wrote in 1984. But they also distort the present of anyone reading at any time, even the text's own future. The contours of Dhalgren's disintegrating city belong to the wake of 1960s countercultures and social movements, to a sexual and racial moment whose history uninformed new generations of readers will learn as they read, even if they fail to recognize it. Sexual pleasure in Delany's work links the past and present and lets a different future feel possible, even when it takes place within structuring limitations. >>
Chinese-Canadian author Larissa Lai imaginatively interrogates the boundaries of the human, alchemizes myths of origin, and embraces the impurity of the cyborg while foregrounding the politics of racialization, animality, and sexuality. Lai builds on the rich tradition of women of color writing in sf/speculative fiction by splicing together cultural theory and current events with a panoply of intertexts. Traversing past, present, and future, Lai maps the permeability of the human through the vectors of animal, creator-goddess, cyborg, and transgenic procreation. Her distinctive métissage of Chinese legend, EuroAmerican culture, Orientalist archetypes, Western popular music, and science fiction disrupts cycles of institutionalized exploitation, corporatized amnesia, and multicultural assimilation.[1] Akin to the work of Octavia Butler, Karen Tei Yamashita, and Nalo Hopkinson, Lai's...>>
China Miéville is the recipient of multiple awards for his speculative/science/weird fiction novels, and the only author ever to win three Arthur C. Clarke Awards.  His most recent novel, Embassytown, came out in May 2011 and has received enthusiastic reviews. As well as writing fiction, Miéville earned his Ph.D. at London School of Economics in International Law and is the author of Between Equal Rights, A Marxist Theory of International Law (2006).      Known for his radical fictive speculation, China Miéville is also fiercely engaged with radical politics--he stood for the House of Commons as candidate for the Socialist Alliance in the 2001 UK general election--and so is often asked about the relationship between his politics and his writing. He...>>

Race for Life

The short film accompanying musician and designer M.I.A.'s (Maya Arulpragasam, who is British of Sri Lankan Tamil descent) song "Born Free" was released in April of 2010 and immediately banned from YouTube. Arulpragasam is no stranger to controversy, since she has drawn attention to the violence perpetrated against the Tamil minority in Sri Lanka, while her music and accompanying visual work is replete with references to different forms of political violence and identification with non-western persecuted populations.One of the few female artists in contemporary popular music that fuse explicit political content with cutting edge sounds, Arulpragasam has often been accused of toying with radical chic and being politically naïve, rather than associated with a long tradition of women of color...>>

So Say We All

Race is an illusion. So say we all! But what do we intend by this saying, this performative? Denise Ferreira da Silva is but the most recent of scholars to note that, in dispelling race from its improper place in the order of the human sciences, casting it into disrespectability along with sorcery, alchemy, and other bait for the credulous, we consolidate that much more firmly the protocols of scientific rationality. But the protocols of science gave us race as an invidious distinction in the first place. Reason giveth, and reason taketh away, seems to be the faith animating the claim "Race is an illusion." But what if were to suspend such faith in the subject of Enlightenment rationality? What...>>
When it comes to dealing with misfortune and injustice, the most effective tool to use if we want to make sure that troubles will persist without relief is a simple sentence: That's water under the bridge. No use crying over spilled milk. The past is over and done with. The goose is cooked. What's done is done.Whenever people have their attention called to injuries that occurred in the past, it is almost certain that someone will pipe up with a demand that everyone cut short the desire to improve the world and, instead, to defer to the water-under-the-bridge school of history.[1]There are is perhaps no better example of the water-under-the-bridge school of thought in the settler-colonial imagination, than Orson Scott...>>
The Natives should have died off by now. To still be alive is a miracle. Can you taste two billion year old air on your breath or the remnants of primordial seas in your sweat? Do you feel e-coli breaking bread in your bowels? Does your heart synch up with these words, these poetic echoes of ancient ancestors? Self and other, simultaneously...>>

Thursday, March 08, 2012

Elaine Pagels - Book Of Revelation: 'Visions, Prophecy And Politics'

 

Terry Gross spoke with Elaine Pagels on Fresh Air yesterday about her new book, Revelations: Visions, Prophecy, And Politics In The Book Of Revelation. I have been a huge fan of Pagels ever since reading The Gnostic Gospels back in college.

In this new book, Pagels reframes the Book of Revelations, the most popular book of the Bible among Christians, within the temporal context in which it was written. She argues that, rather than an apocalyptic vision of the end times, the text was meant to be a wart-time satire and screed against the Romans who had destroyed Jerusalem, but was also influenced by the recent eruption of Mount Vesuvius. 

It's likely that the number of the beast, 666, is meant to be a not to subtle numeric symbol for a Roman emperor, probably Nero.

Most importantly, she argues that John (not the John of the Gospel) was not a Christian. In 90 AD, Christianity had not yet been invented, so to speak. All of the writers of the New Testament, save maybe Paul, were Jews who followed Jesus, not Christians.
March 7, 2012
 
The Book of Revelation, the final book of the New Testament, has some of the most dramatic and frightening language in the Bible.

In her new book Revelations: Visions, Prophecy and Politics in the Book of Revelation, Princeton University religious professor Elaine Pagels places the Book of Revelation in its historical context and explores where the book's apocalyptic vision of the end of the world comes from.

"The Book of Revelation fascinates me because it's very different than anything else you find in the New Testament," Pagels tells Fresh Air's Terry Gross. "There's no moral sermons or ethical ideas or edifying things. It's all visions. That's why it appeals so much to artists and musicians and poets throughout the century."

Pagels says the Book of Revelation's author, who calls himself John, was likely a refugee whose home in Jerusalem had been leveled by the Romans in response to a Jewish rebellion against the Roman Empire.

"I don't think we understand this book until we understand that it's wartime literature," she says. "It comes out of that war, and it comes out of people who have been destroyed by war."

Other images in Revelation — which include bright red beasts with seven heads, and dragons, monsters and cosmic eruptions — were likely influenced by the eruption of Mount Vesuvius, which buried and destroyed the city of Pompeii, she says.

"Most people think John was writing at about the year 90 in the first century. That would be 60 years after the death of Jesus, and the eruption of Vesuvius happened in the year 79," she says. "Much of what we find in the Book of Revelation couched in the fantastic imagery are descriptions of events that for John were very close — the war in Jerusalem, the eruption of Mount Vesuvius, the Roman Emperors who were ruling at the time. ... It seems as though [John] reacted to that, saying, 'Jesus is coming and he is going to destroy all of this.' It was John's conviction that the destruction of Jerusalem was the beginning of the end of time that Jesus had predicted."

Many of the images in the book, she says, are thinly disguised metaphors for images associated with the ruling powers in Rome. The great scarlet beast with seven heads and seven crowns, for example, may represent the emperors from the dynasty of Julius Caesar, says Pagels. And the name of the beast — which is not named but is represented by the numbers 666 — may refer to Emperor Nero.

"This is a reference to the technique of calculating numbers and letters," she says, "so that you can take anyone's name and have a numerical value of each letter, and you add them up or multiply them in complicated ways, and you find out what the name is. ... John would have wanted his readers to understand that that number, which is couched in a mysterious code, would be understood to his readers as the name of one of those emperors who destroyed his people."

Shortly after John wrote the Book of Revelation, Christians fearing persecution from the Romans seized on his message, seeing it as a way of deliverance from evil. For the past 2000 years, Christians have been reading Revelation as if it applies to conflicts and struggles in their own time, says Pagels.

"If you read it as John intended, you think, 'God is on our side; we of course are on the side of good,' " she says. "Now we could be Lutherans fighting against the Catholic Church, we could be Catholics fighting against Lutherans. ... What I found so remarkable is the way that people on both sides of a conflict could read that same book against each other."

In the Civil War, she says, Northerners were reading John's prophecies as God's judgments for America's sins of slavery.

" 'The Battle Hymn of the Republic' resounds with all of those imageries of the Book of Revelation," she says. "People in the South, in the Confederacy, were also using the Book of Revelation, seeing the war as the battle of Armageddon at the end times, and using it against the North. And that's the way it was read in World War II. That's even the way it was read in the war in Iraq."


 
Elaine Pagels has been called one of the world's most important writers and thinkers on religion and history. She won the National Book Award for her book The Gnostic Gospels. She is also the author of Beyond Belief: The Secret Gospel of Thomas.
  Elaine Pagels has been called one of the world's most important writers and thinkers on religion and history. She won the National Book Award for her book The Gnostic Gospels. She is also the author of Beyond Belief: The Secret Gospel of Thomas.

Interview Highlights

On other books of revelation, now known as the Gnostic Gospels

"One of the surprises that I found when I started to work on the Book of Revelation is that there is not only one. That is, most people think there is one Book of Revelation because there's only one in the canon, but I discovered that this was one of an outpouring that Jews were writing; Greeks who followed the Greek gods were writing many books of revelation. The Book of Ezra, for example, is another revelation written by a Jewish prophet — not a follower of Jesus — but very similar to John's in many ways and very grieved about the Roman Empire and concerned about the question of God's justice."

On why the Book of Revelation has been so controversial
"One reason why the book is so contested is that people who saw its prophecies against the Roman Empire suggesting that the empire was going to be destroyed by God realized that those prophecies had failed. What happened instead is that the Roman emperors become actually Christians, and the Roman Empire became a Christian empire — that is, completely contrary to what the prophecy said. So some people would have said, 'The prophecy failed, so let's leave that in the dust the way we leave other prophecies that fail.' Other people said, 'Wait a minute, that is not what it really means.' If you interpret these images differently, and they open themselves to a very wide range of reading, then you could say, 'Well, the prophecies are being fulfilled in a totally different way.' "

On the Book of Revelation's authorship

"John apparently was not only a Jewish prophet, but he was a follower of Jesus of Nazareth, who of course had been crucified about 60 years earlier. But they say that Jesus had prophesied that the end of the world was coming, and it seemed as though Jesus' prophecy had simply failed. What John saw 60 years after the death of Jesus was that the Roman Empire was going stronger than ever, and I think he responded to the enormous power of Rome, which you can see in the buildings and the monuments and the architecture and the armies, which he would have seen stationed throughout those provinces. ...

"It's the response of one of the followers of Jesus, who was last seen on Earth crucified and in a horrible way tortured by the Romans. ... And his follower John sees that Jesus is enthroned in heaven and returning as the ruler of the world. It's almost like a perfect retaliation for what he sees as the execution of Jesus."

On the images in the Book of Revelation
"One of them is an image of an enormous, bright-red beast with seven heads with crowns on its head — a violent, threatening, raging monster. Another is a giant whore called the Whore of Babylon who sits on the back of one of these dragons with seven heads, and she's drinking from a golden cup the blood of innocent people who have been killed. Then there's another image of Jesus coming forth from the sky and starting the battle of Armageddon, which ends in heaps and heaps of corpses at the end of the book."

On what the Book of Revelation says about the new world
"It's striking that the author sees nothing of the present world surviving except the people who are dead come back to life in this new world. But the new world as he sees it will be on Earth, will be a new Jerusalem full of the glory of God."

On the followers of Jesus
"The earliest followers of Jesus were all Jewish, and they don't seem to have imagined that they would ever diverge from their adherence to their tradition. It was just that they had found the Messiah of Israel. It's the Apostle Paul who decided that Jesus had offered a message for non-Jews and opened it up for the salvation of the entire world. As John sees it, yes, gentiles will eventually be included in the blessings brought by Jesus, just as the Hebrew Bible says all the gentile nations will be blessed through Abraham, but for John the focus is on Israel and the Jewish people."

On various interpretations of the Book of Revelation
"Many Christians assume John is a Christian, he's a follower of Jesus, it's a Christian book, and when the catastrophic events of the end times happen, everyone will have to be converted to Christianity. What I discovered, and it was surprising working on this, was in a sense you could say Christianity hadn't been invented yet. That is, the idea of a new movement that was quite separate from Judaism and its obvious successor the way Christians see it today."