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Showing posts with label sociology. Show all posts
Showing posts with label sociology. Show all posts

Sunday, September 28, 2014

Rival Cultural Evolution Camps Find Common Ground at Santa Fe Institute

http://www.vce.bioninja.com.au/_Media/picture_17-2_med.png

From the Santa Fe Institute, the post below is a summary of a group session on cultural evolution led by Daniel Dennett, and including Susan Blackmore, Robert Boyd, Nicolas Claidière, Peter Godfrey-Smith, Joseph Henrich, Olivier Morin, Peter Richerson, Dan Sperber, Kim Sterelny.

The general impression was that (as he tweeted some time later) "the meeting revealed a lot of unexpected common ground". The International Cognition and Culture Institute is happy to publish, by way of proceedings, each participant's summary (Dennett's summary is included below and links to the others are also included).

Rival cultural evolution camps find common ground at SFI

Sept. 26, 2014
 
While the movement toward an evolutionary perspective on human culture has been gaining traction over the past decade, the field of cultural evolution is a divided house. The disagreements – mainly between two factions – hinge on a working definition of culture itself and how cultural information is transmitted.

In an effort to bridge those differences, SFI External Professor Daniel Dennett held a working group, “Perspectives on Cultural Evolution,” at SFI in May. The group comprised many of the field’s leading theorists and experimentalists – including SFI Cowan Chair Rob Boyd.

That the two rival camps emerged from the working group more in agreement than in disagreement Dennett and Boyd attribute to the collaborative spirit of SFI in general, to the fact that the gathering focused more on common cause, and to Dennett’s unusual methodology.

After having participants send in what they’d written, Dennett asked them to rank whose work they’d like to introduce. “People usually read someone else’s work with an antagonistic approach,” he explains. “But here, they had to present someone else’s work to that person. It brings out the best in people.”

Boyd’s three-member camp described the work of a group led by Dan Sperber. “We came away with a deeper appreciation of what they are trying to say – and the reverse was true as well,” says Boyd.

Summaries of the meeting written by each participant are posted here.

“Cultural evolution may still be seen as being divided into camps,” said Dennett. “But from this point forward, they’ll also be seen as having much more in common than people had realized.”
* * * * *

Cultural Evolution at the Santa Fe Institute

Last May, Daniel Dennett gathered, at the Santa Fe Institute, a handful of people who have written about cultural evolution. The general impression was that (as he tweeted some time later) "the meeting revealed a lot of unexpected common ground". The International Cognition and Culture Institute is happy to publish, by way of proceedings, each participant's summary. Comments are open!

Daniel Dennett's introduction (with comments).

Participants' summaries (in alphabetical order): Susan Blackmore, Robert Boyd, Nicolas Claidière, Peter Godfrey-Smith, Joseph Henrich, Olivier Morin, Peter Richerson, Dan Sperber, Kim Sterelny.

Here is Dennett's statement:

Perspectives on Cultural Evolution, by Daniel C. Dennett


Category: SFI Cultural Evolution Workshop
Created on Tuesday, 02 September 2014
Published on Tuesday, 02 September 2014

These are Daniel Dennett's introductory remarks on the workshop on cultural evolution he conveyed in Santa Fe in May 2014.


Perspectives on Cultural Evolution 


(Footnotes contain comments by Richerson and Sperber.)

Ever since Darwin’s Descent of Man (1871), the idea of adopting an evolutionary perspective on human culture has seemed to many to be a natural move,  obviously worth trying—and to many others to be a dangerous, “nihilistic,” “reductionistic”, “scientistic,” assault on everything we hold dear.   Work on cultural evolution has been making good progress in recent years, but has been hindered by distortions, some perhaps deliberate, but others are misunderstandings that naturally arise between slightly different traditions.  I formed this working party to try to find common ground and resolve differences among some of the leading theorists and experimentalists.  The ten participants included the trio of Boyd, Henrich and Richerson (BRH), a French trio of Sperber, Claidière and Morin (SCM), the memeticists Blackmore and myself, and two philosophers of biology who have been particularly engaged with issues of cultural evolution, Peter Godfrey Smith and Kim Sterelny.  Several other leading figures were invited but could not participate for various reasons.   

Consensus:


Each participant was invited to send in two or three recent papers or chapters for everyone to read in advance -- the list of these papers is available here --, and then the first three days were devoted to the “X on Y sessions”, in which each participant (X) in turn took on the task of briefly introducing the work of another participant (Y).  I invited all to send me their preferred list of people to introduce, and more or less optimized the pairings to make sure each X-Y pair were  drawn from different traditions and no two introduced each other’s work.  After fifteen or twenty minutes introduction, each Y then had a chance to respond, followed by general discussion. The atmosphere was informal, permitting frequent interruptions for questions and comments.

Before the working group convened there was some skepticism and grumbling about the X on Y obligation from various participants, but everybody graciously acceded to my request and the results, in my opinion, confirmed the value of the practice.  After the workshop all participants submitted a brief summary of the week, citing what was learned, what was agreed upon, and issues still unresolved. Quoting a few comments from participants: Peter Richerson: “I do think that the disagreements among the various ‘schools’ of cultural evolution represented at the meeting are relatively modest.” Peter Godfrey Smith: “I think that a lot of progress was made on clarifying disagreements, even where the remaining disagreements remain genuine. . . . It’s progress when an initially cloudy situation gives way to a sharper and more definite set of empiricial uncertainties.” Dan Sperber: “It has been a wonderful workshop of serious, demanding, insightful, informal, friendly discussion of a kind and quality rarely experienced.”  Nicholas Claidière noted that part of the distortion is generated by the way we tend to talk about our work to people outside the field, giving the (wrong) impression that there are schools of thought at war with each other: “Given the amount of agreement that we have seen during this meeting, I think it would be more productive to present ourselves as having a common goal with diverging interests rather than competing views of the same phenomena.”

Terminological headaches.

Three frustrating terminological problems were exposed, but we didn’t resolve how to correct them: “cultural group selection,” “meme,” and “Darwinian” are all good terms, historically justifiable  and useful in context, but by now all are so burdened with legacies of ideological conflict that any use of them invites misbegotten “refutation” or dismissal.  Should we abandon the terms in favor of emotionally inert replacements, or should we persist with them, always accompanying their use with a wreath of explanation? These are questions of diplomacy or pedagogical policy, not serious theoretical issues, but still, alas,  unignorable.

As Boyd explained, the adoption by BRH of the term “cultural group selection”  had its roots in the relatively uncontroversial theoretical terrain of  Sewall Wright’s population genetics (and shifting balance theory), not in later, more dubious and controversial variants.  But this is hard to explain to people who have already taken sides for or against “group selection” as an important phenomenon in evolution.  In any event, the working group, enlightened about what BRH mean—and don’t mean—by cultural group selection, while still harboring somewhat different hunches about its importance, acknowledged that Steve Pinker’s recent “extreme and dismissive” (Henrich) position on Edge.org did not find a target in the work of BRH.

The popular hijacking of Dawkins’ term “meme” for any cultural item that “goes viral” on the Internet, regardless of whether it was intelligently designed or evolved by imitation and natural selection, has been seen by some to subvert the theoretical utility of the term altogether.  There is also the unreasoned antipathy the term evokes in many quarters (reminiscent of the antipathy towards the term “sociobiology” that led to its abandonment).  Alternatively, if one is “Darwinian about Darwinism” we should expect the existence of cultural items that are merely “memish” to one degree or another, and we might as well go on using the term “meme” to refer to any relatively well-individuated culturally transmitted item that can serve as a building block or trackable element of culture however it arrives on the scene.  Other terms, such as Boyd and Richerson’s “cultural variant”, have been proposed, but the term “meme” has become so familiar in popular culture that whatever alternative is used will be immediately compared to, identified with, assimilated to meme(a Sperberian attractor, apparently), so perhaps the least arduous course is to adopt the term, leaving open its theoretical definition, in much the way the term “gene” has lost its strict definition as protein-recipe in many quarters.    Since the long-term fate of such an item will be settled by differential reproduction (or something similar to differential reproduction) however much insight or “improvisational intelligence” went into its birth, it has a kind of Darwinian fitness.

But should we go on talking about whether or not a phenomenon is “Darwinian”? Some think the term gets in the way, since we are seldom if ever alluding to what Darwin himself thought, but rather to the neo-Darwinian, post-DNA synthesis, itself an evolving landmark. On the other hand, there is general agreement within the group that some important elements of human culture evolve by processes strongly analogous to genetic natural selection, and the variations in these processes can be usefully diagrammed using Peter Godfrey Smith’s “Darwinian spaces”  (See figure 1 for an instance), in which the similarities and differences can be arrayed in three dimensions.  Since, moreover, there is agreement that these cultural regularities can set selection pressures (e.g., a “cultural niche”) for co-evolutionary processes, generating genetic responses (such as adult lactose tolerance), a unified evolutionary perspective, in which the trade-offs between cultural and genetic evolution can be plotted, is a valuable organizer of phenomena, some “more Darwinian” than others. No other term suggests itself for the set of features that mark paradigmatic (neo-)Darwinian phenomena, so perhaps the misunderstandings the term tends to generate can be deflected.

Figure 1:

PGS Cube
The working group agreed on a number of points, some methodological and some substantial, that are still considered controversial by others, or in some cases just not yet considered:

1. We should be Darwinian about Darwinism; there are few if any bright lines between phenomena of cultural change for which cultural natural selection is clearly at work and phenomena of cultural change that are not at all Darwinian. The intermediate and mixed cases need not be marginal or degenerate, a fact nicely portrayed in Godfrey-Smith’s Darwinian Spaces.

2. Models must always “over-“simplify, and the existence of complications and even “counterexamples” relative to any model does not automatically show that the model isn’t valid when used with discretion. For instance, the absence of explicit treatment of SCM’s “hetero-impacts” in BRH’s models “does not amount to a denial of its importance”(Godfrey-Smith). Grain level of modeling and explaining can vary appropriately depending on the questions being addressed.

3. The traditional idea that human culture advances primarily by “improvisational intelligence,” the contributions of insightful, intentional, comprehending individual minds, is largely mistaken.  Just as plants and animals can be the beneficiaries of brilliant design enhancements that they cannot, and need not, understand, so we human beings enjoy culturally evolved competences that far outstrip our individual comprehension. Not only do we not need to “re-invent the wheel,” we do not need to appreciate or understand the design of many human institutions, technologies, and customs that nevertheless contribute to our welfare in various ways. Moreover (a point of agreement between Sperber and Boyd, for instance), the opacity of some cultural memes (their inscrutability to human comprehension) is often an enhancement to their fitness: “This opacity—which is a matter of degree, of course—is what makes social transmission so important. It plays, I believe, a crucial role in the acceptability of cultural traits: it is, in important ways easier to trust what you don’t fully understand and hence cannot properly evaluate on its own merits.” (Sperber) 

4. The persistence of cultural features that are not fitness-enhancing, and may even be fitness-reducing, is to be expected in cultural evolution, and can have a variety of explanations.
New questions:


1. Rob Boyd, in his post-working group summary, proposed a way in which the Evolutionary Causal Matrix idea developed by Sperber and Claidière can be re-expressed in the population genetics formalism used by BRH, raising questions about how—if at all—the homo-impact/hetero-impact distinction introduced by SCM appears in the population genetics formalism. Do SCM have a reply?[1]


2. SCM propose that cultural attraction, not differential replication, accounts for much of the dynamics of cultural evolution [2](in the neutral sense: change over time), but several expressed concern that only a (quasi-)Darwinian process can initiate and refine adaptations (lifting in Design Space).  One line of thought suggests that attraction and replication can sometimes work together:  attractors act rather like norms to somewhat digitize otherwise continuous variations, making exemplars stable and distinct enough to be eligible for iterated replication and selection. Another line of thought is that the distinction between attraction and differential replication is maybe just a question of “zoom”: if you zoom in on apparent replicators, you may find that they are not, strictly speaking, replicating at all, but if you zoom out, the results are as if there was replication going on.[3]  Which of these suggestions will survive further research?  For instance, are there experiments (Claidière’s question) that can distinguish the roles of transformative and selective processes, shedding light on the conditions under which each plays the dominant role?


3. “If individuals are smart enough in their choices, the BRH meso-level picture fades. When people are smart and make good choices, the recurrence of good options and accumulation of design can occur without imitation-and-selection.” (Godfrey-Smith)  But Sperber points out that this need not pose a dichotomous choice between evolutionary and rational-choice explanations: “adding attraction to the cultural evolution story allows us to integrate evolved mechanisms that tend to produce rational choices, not as an alternative kind of explanation, but as a factor of attraction among many.”  Under what conditions can this proposed unification do serious explanatory work?  Since attractors can be both enhancers and decelerators of adaptive change, are they too versatile to be explanatory (at least in this context)? [4]


4. Is cultural evolution “de-Darwinizing” (Godfrey-Smith’s term for phenomena that evolve into less Darwinian phenomena)?   Dennett says yes: in the earliest days of human cultural evolution, individuals were largely uncomprehending beneficiaries of their new tools and customs, only gradually becoming reflective, critical, foresighted users of those tools. Today they aspire to be intelligent (re-)designers of every aspect of their environments, and some of the major changes in culture today are the products of quite concentrated, not distributed, R&D.[5] Blackmore says no: on the contrary, technology has raised the proportion of high-fidelity copying and transmission, and is beginning to usurp the role of the supposedly intelligent designer thanks to automated search and evaluation systems.  Will all roles for human “improvisational intelligence” become obsolete, and “inventors” as rare are telephone operators, coopers, and scythe-sharpeners in the future? Or will the heretofore unreachable ideal of the intelligent designer be approximated by individual human beings, thanks to their reliance on technology (including especially instruction and the cascade of scientific knowledge that creates new platforms from which to begin one’s exploration)?   Human civilization today appears to be a volatile mix of these opposing trends; are there investigations that can clarify the resultant direction in which we are heading?

5. Richerson raises an issue (among many others) that we did not have time to discuss: “Natural selection on genes admits of a number of modes. . . . .  .Throw in density and frequency-dependent selection. . . . . Mate choice and artificial selection introduce agent-based rather than natural selection, demi-god designers if you want. With cultural evolution agent-based social selection runs wild.”  Does this point to a good way to organize the intermediate space between paradigmatic “Darwinian” natural selection and intelligent design?  One thing that is changing in this progression might be called the focus of the selection pressure. At the Darwinian pole (simple natural selection) the selection pressure is “just” a statistical net effect of a kazillion independent events that determine which candidates get replicated; in  the middle-ground, mate choice (as Geoffrey Miller has argued) is focused through the perceptual/cognitive/emotional dispositions of individual (usually female) “minds,” with varying degrees of comprehension and reflection; it is like Darwin’s “unconscious” selection which bridges the gap between agentless natural selection and reflective, intentional “methodical” selection. As agents (conceived as mere concentrations of selective efficacy, selective “hot spots” in the environment)[6]become more discerning, the importance of high-fidelity replication does not lapse, but the breadth of “search” contracts and R&D can become more efficient (it can also hasten the ruin of ill-informed R&D).  As reflectivity about this very process increases, R&D becomes faster and more efficient—but gradually, allowing for opaque attractors to play a large role relative to genuinely insightful or comprehending quality judgments.  Does this proposal withstand scrutiny?



[1] Richerson commented on the draft of this document and Sperber replied:

Richerson: I thought that the attraction concept had become sufficiently generalized as to obviate this distinction. Perhaps complete resolution of this issue need to await SCM’s development of their models. With a fully functional model in hand, we can see if the structure of them differs in some fundamental way from the population genetics based models I’m more familiar with.

Sperber: My first reaction to Rob’s comments was, to begin with, sheer joy at having him discuss ECM seriously. Given Rob’s experience and competence, this cannot but be good for the science. Were Rob to find that there is a basic flow in the ECM approach, then we would be spared going in the wrong direction, and again, good for science. Rob might also find ways to correct and improve the ECM format at least for some use, and this would be nice, of course.

Now, regarding, the fact that “the ECM formalism can be equivalent ways of representing exactly the same underlying processes,” I like Rob’s illustration, and Nicolas and I had found other examples in our work in the past. I don’t see this as an objection, especially since we didn’t propose the ECM format as it stands as an alternative way to model population phenomena of interest, let alone as a better way. We offered it as to begin with a Dennettian ‘intuition pump’, leaving open the question whether it could, at least in some cases, be developed into a perspicuous way of modeling. The intuition pump effectiveness was, for me, demonstrated at our workshop and in several other exchanges I have had: people who didn’t quite ‘get’ the attraction idea, found it much easier and even congenial when so presented.

On the further more technical points raised by Rob, I would like to coordinate at least with Nicolas and Thom before providing a careful reaction.
[2] Sperber: What we propose is that hetero-attraction is likely to be more or much more than a marginal factor in cultural evolution, making a generalized notion of attraction that includes both homo and hetero-attraction – I agree with Pete with his comment on this point – potentially quite useful. This by itself does not determine which is the best way to model cultural evolution, or precludes the possibility that different models may be better for different types of cases

[3] Sperber: Here I agree with a remark Rob made in his comments: yes we, the attraction people tend to zoom towards greater details, but this doesn’t necessarily preclude the possibility that on some issues at least, a more standard population genetics provides for a better zoom.

[4] Sperber: Here you want to talk about specific factors of attraction and the way they may contribute to adaptiveness, or to the resilience of non-adaptive features. The relevant point here is that the evolved ability to recognize and, under certain conditions, even design well-adapted things is a powerful factor of attraction that contribute to explaining the cultural success of well-adapted things. You get your evolutionary explanation, as usual by looking at micro-processes at a population scale. The fact that, in this case, rational choice modeling can also make the right prediction does not in any way undermine a more standard evolutionary approach (that moreover does better at least in terms of generality and of psychological plausibility)

[5] Richerson: Nuts Dan! Highly innovative places like Silicon Valley are Darwinian pressure cookers. First, the finest engineering training available in the world dumps the max amount of accumulated wisdom into the heads of the best and brightest. Then the B&B are set to work finding marginal improvements in existing designs to patent. Entrepreneurial teams funded by venture capitalists recombine old designs and add the latest new patented ideas to create products that are selected in ruthlessly competitive markets.

Dennett responds: But this Darwinian “pressure cooker” is distant from the Darwinian paradigm in several  important dimensions: it is what Darwin himself called “methodical selection” (in his wonderful introductory passage that segues from the (intelligent) selective actions of plant and animal breeders, through the “unconscious selection” of the inadvertent, or largely purposeless biases of human beings in the early days of agriculture, to “natural selection” (in which no mind, intelligent or clueless, is required).  The search space is pinched by many preconceptions, good and bad, and, as in sexual selection, the winners have been aggressively tested by nervous systems tuned to detect quality.

[6] Sperber: Yes, let’s not overdo ‘agents’. ‘“Hot spots” in the environment’ is a nice metaphor. Another, more detailed way to go is to see cognition both as massively modular and heavily situated/distributed. At this point, the individual organism is still in play, but most cultural phenomena are both infra- and trans-individual (or to use Dennettian terms, sub-personal and collective) The agents that rational choice theorist theorize about not only don’t exist – that is not too bad –, they are not, I believe, a very  good idealization for modeling cultural evolution (this might be a point of difference between the attraction approach and the agents-choose-variant approach).
Posted by william harryman at Sunday, September 28, 2014 0 comments
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Labels: cognitive science, complexity, cultural evolution, culture, Daniel Dennett, evolution, Santa Fe Institute, sociology, working group

Friday, August 16, 2013

Empathy Linked to Age Rather than Species - More Complicated than the Media Reported

When this research first hit the media, some of the headlines simplified the whole issue to "people feel empathy for animals over humans." As usual, the reporting significantly oversimplified the research. Apparently it has a lot more to do with the perceived age (or dependency) of the "victim."

Empathy Linked to Age Rather than Species

By RICK NAUERT PHD Senior News Editor | Psych Central
Reviewed by John M. Grohol, Psy.D. on August 13, 2013


An intriguing experiment has discovered people have more empathy for battered puppies and full-grown dogs than they do for some humans.

However, researchers say the findings are more complicated than initially inferred.

“Contrary to popular thinking, we are not necessarily more disturbed by animal rather than human suffering,” said Dr. Jack Levin, professor of sociology and criminology at Northeastern University.

“Our results indicate a much more complex situation with respect to the age and species of victims, with age being the more important component.

“The fact that adult human crime victims receive less empathy than do child, puppy, and full-grown dog victims suggests that adult dogs are regarded as dependent and vulnerable, not unlike their younger canine counterparts and kids.”

In their study, Levin and co-author Dr. Arnold Arluke, a sociology professor at Northeastern University, considered the opinions of 240 men and women, most of whom were white and between the ages of 18-25, at a large northeastern university.

Participants randomly received one of four fictional news articles about the beating of a 1-year-old child, an adult in his 30s, a puppy, or a 6-year-old dog.

The stories were identical except for the victim’s identity. After reading their story, respondents were asked to rate their feelings of empathy towards the victim.

“We were surprised by the interaction of age and species,” Levin said.

“Age seems to trump species, when it comes to eliciting empathy. In addition, it appears that adult humans are viewed as capable of protecting themselves while full-grown dogs are just seen as larger puppies.”

Interestingly, the researchers found that the difference in empathy for children versus puppies was statistically non-significant.

As for considering the opinions of 240 college students, Levin said it is common practice to use homogenous samples for studies such as his that center around an experiment.

“Unlike survey research, experiments usually employ a homogenous sample in order to establish a cause and effect relationship rather than to generalize a large population,” Levin said.

“However, there is really no reason to believe that our results would differ very much nationally, particularly among college students.”

While the study focused on dogs and humans, Levin thinks the findings would be similar for cats and people as well. “Dogs and cats are family pets,” he said. “These are animals to which many individuals attribute human characteristics.”

Source: American Sociological Association
Posted by william harryman at Friday, August 16, 2013 0 comments
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Labels: dependency, empathy, Psychology, puppies, research, sociology

Thursday, January 24, 2013

RSA - The Rise of the "Biotechnosciences"


Interesting discussion - the video is simply the highlights, but there is a link to the full podcast with audience questions and answers.
In the last thirty years, the so-called life sciences have been completely transformed. We now have the hybridised ‘biotechnosciences’ which blur the boundaries between science, technology, universities, entrepreneurial biotech companies, and global pharmaceuticals. But what are the implications of this shift, and who benefits?

When the modern era of genomics opened in the 1990’s, we were told that decoding the human genome would lead to cures for everything from cancer and schizophrenia to homelessness, and that a cornucopia of health and wealth would result. It’s now twenty years on, and the genome has been decoded, vast DNA ‘biobanks’ have been set up, some companies and individuals have become very rich, but both hypes and hopes are greatly diminished.

What went wrong?

Join renowned sociologist Hilary Rose and neuroscientist Steven Rose at the RSA as they tackle the claims of the bioscience industry head on.

Chair: Marek Kohn, science writer, journalist and author of 'Trust: Self-Interest and the Common Good' and 'Turned Out Nice: How the British Isles Will Change as the World Heats Up'.
Enjoy the discussion as the Roses take on the bioscience industry and their claims.

RSA - The Rise of the Biotechnosciences

22 Nov 2012


Leading-edge bioscience promised so much - but did it really deliver? Renowned neuroscientist Steven Rose and sociologist Hilary Rose visit the RSA to tackle the claims of the bioscience industry head on.

Listen to the podcast of the full event including audience Q&A
  • Download the video (mp4)
  • Watch Hilary and Steven Rose on our YouTube Channel
  • Watch Hilary and Steven Rose on our Vimeo Channel
Posted by william harryman at Thursday, January 24, 2013 0 comments
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Labels: biosciences, biotechnosciences, genomics, neuroscience, RSA, sociology, technology

Wednesday, November 28, 2012

RSA - The Rise of the ‘Biotechnosciences’


From the RSA, this is an interesting discussion about the newly emerging field of biotechnoscience, which blurs "the boundaries between science, technology, universities, entrepreneurial biotech companies, and global pharmaceuticals." Neuroscientist Steven Rose and sociologist Hilary Rose discuss the implications of this trend. Hilary and Steven Rose are the authors of Genes, Cells and Brains: The Promethean Promises of the New Biology.


The Rise of the ‘Biotechnosciences’

22nd Nov 2012

Listen to the audio

(full recording including audience Q&A)
Please right-click link and choose "Save Link As..." to download audio file onto your computer.

RSA Thursday

In the last thirty years, the so-called life sciences have been completely transformed. We now have the hybridised ‘biotechnosciences’ which blur the boundaries between science, technology, universities, entrepreneurial biotech companies, and global pharmaceuticals. But what are the implications of this shift, and who benefits?

When the modern era of genomics opened in the 1990’s, we were told that decoding the human genome would lead to cures for everything from cancer and schizophrenia to homelessness, and that a cornucopia of health and wealth would result. It’s now twenty years on, and the genome has been decoded, vast DNA ‘biobanks’ have been set up, some companies and individuals have become very rich, but both hypes and hopes are greatly diminished. 

What went wrong?

Join renowned sociologist Hilary Rose and neuroscientist Steven Rose at the RSA as they tackle the claims of the bioscience industry head on.

Chair: Marek Kohn, science writer, journalist and author of 'Trust: Self-Interest and the Common Good' and 'Turned Out Nice: How the British Isles Will Change as the World Heats Up'.

See what people said on Twitter: #RSARose

Get the latest RSA Audio

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You are welcome to link to, download, save or distribute our audio/video files electronically. Find out more about our open access licence.

Speakers

  • Marek Kohn
  • Hilary Rose
  • Steven Rose

Books

Genes, Cells and Brains: The Promethean Promises of the New Biology - Hilary Rose and Steven Rose (Verso Books Ltd, 2012)
Posted by william harryman at Wednesday, November 28, 2012 0 comments
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Labels: biology, books, DNA, genomics, neurosceince, Psychology, Science, sociology, technology

Saturday, November 03, 2012

Levevei Episode 53: Societal Development from an Evolutionary Perspective (David Sloan Wilson)


James Arnfinsen, host of the excellent Levevei (“way of life”) podcast series, recently interviewed David Sloan Wilson, one of the few biologists who have (rightly) supported and expanded on E.O. Wilson's sociobiology model. In addition to Darwin's Cathedral: Evolution, Religion, and the Nature of Society (2003) and Darwin's Cathedral: Evolution, Religion, and the Nature of Society (2007), Wilson's most recent book is The Neighborhood Project: Using Evolution to Improve My City, One Block at a Time.

Episode 53: Societal development from an evolutionary perspective

By James Alexander Arnfinsen On October 31, 2012 ·


Podcast: Play in new window  | Download 
(Duration: 46:40 — 42.7MB)
 
In this episode I have the delight of connecting with David Sloan Wilson, Professor of Biology and Anthropology at Binghampton University, New York. Wilson has written several books explaining evolution to the general public, while also championing the view that understanding evolutionary processes can be of great benefit to a whole range of issues, not only classical biology. From his point of view the evolutionary perspective can be applied to the human level as well, for instance in relation to social and cultural change.
In the interview we start of from his most recent book The Neighborhood Project – Using Evolution to Improve My City, One Block at a Time, and we explore how an evolutionary paradigm can inform and support urban development. Through different examples he makes an argument for how we can become wise managers of evolutionary processes and how universities can engage both local, national and global communities in steering towards a pro-social future.
Towards the end of our conversation Wilson tells about a planned case study involving Norway and he´s looking to connect with researchers and institutions for this purpose. If you´re interested in contributing or want to learn more, please contact Wilson directly at dwilson@binghamton.edu.

  
The host: James Alexander Arnfinsen has a teacher education from the Norwegian University of Science and Technology… (more) 

Episode links:
Evolution Institute
EVOLUTION: THIS VIEW OF LIFE

In the interview David Wilson references the kriging-maps they derived from different neighborhood surveys. This one shows the degree of pro-sociality in the given area.

Posted by william harryman at Saturday, November 03, 2012 0 comments
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Labels: biology, books, evolution, neighborhoods, sociobiology, sociology, urban development, urban life

Thursday, May 03, 2012

Harvard Magazine - Sociobiologist E.O. Wilson on the Evolution of Culture


I just recently received my copy of E.O. Wilson's new book, The Social Conquest of Earth. Whether we are talking about religion, sports teams, or nations, biologist E.O. Wilson argues that our need to be a part of groups - and to defined them or fight for them - is part of what has allowed us to inhabit the earth, and part of what makes us human.

This excerpt from the book was posted by Harvard Magazine.

On the Origins of the Arts

Sociobiologist E.O. Wilson on the evolution of culture 

 
  • Photographs courtesy of the French Ministry of Culture and Communication, Regional Direction for Cultural Affairs, Rhône-Alpes region/Regional Department of ArchaeologyThe human urge to create art appears magnificently in the Paleolithic paintings from roughly 30,000 years ago at Chauvet Cave, in southern France. Here, the Panel of the Horses.
by Edward O. Wilson
 
May-June 2012
Reprinted from The Social Conquest of Earth by Edward O. Wilson. Copyright © 2012 by Edward O. Wilson. With the permission of the publisher, W.W. Norton & Company, Inc.

Rich and seemingly boundless as the creative arts seem to be, each is filtered through the narrow biological channels of human cognition. Our sensory world, what we can learn unaided about reality external to our bodies, is pitifully small. Our vision is limited to a tiny segment of the electromagnetic spectrum, where wave frequencies in their fullness range from gamma radiation at the upper end, downward to the ultralow frequency used in some specialized forms of communication. We see only a tiny bit in the middle of the whole, which we refer to as the “visual spectrum.” Our optical apparatus divides this accessible piece into the fuzzy divisions we call colors. Just beyond blue in frequency is ultraviolet, which insects can see but we cannot. Of the sound frequencies all around us we hear only a few. Bats orient with the echoes of ultrasound, at a frequency too high for our ears, and elephants communicate with grumbling at frequencies too low.
Tropical mormyrid fishes use electric pulses to orient and communicate in opaque murky water, having evolved to high efficiency a sensory modality entirely lacking in humans. Also, unfelt by us is Earth’s magnetic field, which is used by some kinds of migratory birds for orientation. Nor can we see the polarization of sunlight from patches of the sky that honeybees employ on cloudy days to guide them from their hives to flower beds and back.

Our greatest weakness, however, is our pitifully small sense of taste and smell. Over 99 percent of all living species, from microorganisms to animals, rely on chemical senses to find their way through the environment. They have also perfected the capacity to communicate with one another with special chemicals called pheromones. In contrast, human beings, along with monkeys, apes, and birds, are among the rare life forms that are primarily audiovisual, and correspondingly weak in taste and smell. We are idiots compared with rattlesnakes and bloodhounds. Our poor ability to smell and taste is reflected in the small size of our chemosensory vocabularies, forcing us for the most part to fall back on similes and other forms of metaphor. A wine has a delicate bouquet, we say, its taste is full and somewhat fruity. A scent is like that of a rose, or pine, or rain newly fallen on the earth.

We are forced to stumble through our chemically challenged lives in a chemosensory biosphere, relying on sound and vision that evolved primarily for life in the trees. Only through science and technology has humanity penetrated the immense sensory worlds in the rest of the biosphere. With instrumentation, we are able to translate the sensory worlds of the rest of life into our own. And in the process, we have learned to see almost to the end of the universe, and estimated the time of its beginning. We will never orient by feeling Earth’s magnetic field, or sing in pheromone, but we can bring all such information existing into our own little sensory realm.

By using this power in addition to examine human history, we can gain insights into the origin and nature of aesthetic judgment. For example, neurobiological monitoring, in particular measurements of the damping of alpha waves during perceptions of abstract designs, have shown that the brain is most aroused by patterns in which there is about a 20 percent redundancy of elements or, put roughly, the amount of complexity found in a simple maze, or two turns of a logarithmic spiral, or an asymmetric cross. It may be coincidence (although I think not) that about the same degree of complexity is shared by a great deal of the art in friezes, grillwork, colophons, logographs, and flag designs. It crops up again in the glyphs of the ancient Middle East and Mesoamerica, as well in the pictographs and letters of modern Asian languages. The same level of complexity characterizes part of what is considered attractive in primitive art and modern abstract art and design. The source of the principle may be that this amount of complexity is the most that the brain can process in a single glance, in the same way that seven is the highest number of objects that can be counted at a single glance. When a picture is more complex, the eye grasps its content by the eye’s saccade or consciously reflective travel from one sector to the next. A quality of great art is its ability to guide attention from one of its parts to another in a manner that pleases, informs, and provokes.

In another sphere of the visual arts there is biophilia, the innate affiliation people seek with other organisms, and especially with the living natural world. Studies have shown that given freedom to choose the setting of their homes or offices, people across cultures gravitate toward an environment that combines three features, intuitively understood by landscape architects and real estate entrepreneurs. They want to be on a height looking down, they prefer open savanna-like terrain with scattered trees and copses, and they want to be close to a body of water, such as a river, lake, or ocean. Even if all these elements are purely aesthetic and not functional, home buyers will pay any affordable price to have such a view.

People, in other words, prefer to live in those environments in which our species evolved over millions of years in Africa. Instinctively, they gravitate toward savanna forest (parkland) and transitional forest, looking out safely over a distance toward reliable sources of food and water. This is by no means an odd connection, if considered as a biological phenomenon. All mobile animal species are guided by instincts that lead them to habitats in which they have a maximum chance for survival and reproduction. It should come as no surprise that during the relatively short span since the beginning of the Neolithic, humanity still feels a residue of that ancient need.

If ever there was a reason for bringing the humanities and science closer together, it is the need to understand the true nature of the human sensory world, as contrasted with that seen by the rest of life. But there is another, even more important reason to move toward consilience among the great branches of learning. Substantial evidence now exists that human social behavior arose genetically by multilevel evolution. If this interpretation is correct, and a growing number of evolutionary biologists and anthropologists believe it is, we can expect a continuing conflict between components of behavior favored by individual selection and those favored by group selection. Selection at the individual level tends to create competitiveness and selfish behavior among group members—in status, mating, and the securing of resources. In opposition, selection between groups tends to create selfless behavior, expressed in greater generosity and altruism, which in turn promote stronger cohesion and strength of the group as a whole.

An inevitable result of the mutually offsetting forces of multilevel selection is permanent ambiguity in the individual human mind, leading to countless scenarios among people in the way they bond, love, affiliate, betray, share, sacrifice, steal, deceive, redeem, punish, appeal, and adjudicate. The struggle endemic to each person’s brain, mirrored in the vast superstructure of cultural evolution, is the fountainhead of the humanities. A Shakespeare in the world of ants, untroubled by any such war between honor and treachery, and chained by the rigid commands of instinct to a tiny repertory of feeling, would be able to write only one drama of triumph and one of tragedy. Ordinary people, on the other hand, can invent an endless variety of such stories, and compose an infinite symphony of ambience and mood.

What exactly, then, are the humanities? An earnest effort to define them is to be found in the U.S. congressional statute of 1965, which established the National Endowment for the Humanities and the National Endowment for the Arts:
The term “humanities” includes, but is not limited to, the study of the following: language, both modern and classical; linguistics; literature; history; jurisprudence; philosophy; archaeology; comparative religion; ethics; the history, criticism, and theory of the arts; those aspects of social sciences which have humanistic content and employ humanistic methods; and the study and application of the humanities to the human environment with particular attention to reflecting our diverse heritage, traditions, and history and to the relevance of the humanities to the current conditions of national life.
Such may be the scope of the humanities, but it makes no allusion to the understanding of the cognitive processes that bind them all together, nor their relation to hereditary human nature, nor their origin in prehistory. Surely we will never see a full maturing of the humanities until these dimensions are added.

Since the fading of the original Enlightenment during the late eighteenth and early nineteenth centuries, stubborn impasse has existed in the consilience of the humanities and natural sciences. One way to break it is to collate the creative process and writing styles of literature and scientific research. This might not prove so difficult as it first seems. Innovators in both of two domains are basically dreamers and storytellers. In the early stages of creation of both art and science, everything in the mind is a story. There is an imagined denouement, and perhaps a start, and a selection of bits and pieces that might fit in between. In works of literature and science alike, any part can be changed, causing a ripple among the other parts, some of which are discarded and new ones added. The surviving fragments are variously joined and separated, and moved about as the story forms. One scenario emerges, then another. The scenarios, whether literary or scientific in nature, compete. Words and sentences (or equations or experiments) are tried. Early on an end to all the imagining is conceived. It seems a wondrous denouement (or scientific breakthrough). But is it the best, is it true? To bring the end safely home is the goal of the creative mind. Whatever that might be, wherever located, however expressed, it begins as a phantom that might up until the last moment fade and be replaced. Inexpressible thoughts flit along the edges. As the best fragments solidify, they are put in place and moved about, and the story grows and reaches its inspired end. Flannery O’Connor asked, correctly, for all of us, literary authors and scientists, “How can I know what I mean until I see what I say?” The novelist says, “Does that work?,” and the scientist says, “Could that possibly be true?”

The successful scientist thinks like a poet but works like a bookkeeper. He writes for peer review in hopes that “statured” scientists, those with achievements and reputations of their own, will accept his discoveries. Science grows in a manner not well appreciated by nonscientists: it is guided as much by peer approval as by the truth of its technical claims. Reputation is the silver and gold of scientific careers. Scientists could say, as did James Cagney upon receiving an Academy Award for lifetime achievement, “In this business you’re only as good as the other fellow thinks you are.”

But in the long term, a scientific reputation will endure or fall upon credit for authentic discoveries. The conclusions will be tested repeatedly, and they must hold true. Data must not be questionable, or theories crumble. Mistakes uncovered by others can cause a reputation to wither. The punishment for fraud is nothing less than death—to the reputation, and to the possibility of further career advancement. The equivalent capital crime in literature is plagiarism. But not fraud! In fiction, as in the other creative arts, a free play of imagination is expected. And to the extent it proves aesthetically pleasing, or otherwise evocative, it is celebrated.

The essential difference between literary and scientific style is the use of metaphor. In scientific reports, metaphor is permissible—provided it is chaste, perhaps with just a touch of irony and self-deprecation. For example, the following would be permitted in the introduction or discussion of a technical report: “This result if confirmed will, we believe, open the door to a range of further fruitful investigations.” Not permitted is: “We envision this result, which we found extraordinarily hard to obtain, to be a potential watershed from which many streams of new research will surely flow.”

What counts in science is the importance of the discovery. What matters in literature is the originality and power of the metaphor. Scientific reports add a tested fragment to our knowledge of the material world. Lyrical expression in literature, on the other hand, is a device to communicate emotional feeling directly from the mind of the writer to the mind of the reader. There is no such goal in scientific reporting, where the purpose of the author is to persuade the reader by evidence and reasoning of the validity and importance of the discovery. In fiction the stronger the desire to share emotion, the more lyrical the language must be. At the extreme, the statement may be obviously false, because author and reader want it that way. To the poet the sun rises in the east and sets in the west, tracking our diel cycles of activity, symbolizing birth, the high noon of life, death, and rebirth—even though the sun makes no such movement. It is just the way our distant ancestors visualized the celestial sphere and the starry sky. They linked its mysteries, which were many, to those in their own lives, and wrote them down in sacred script and poetry across the ages. It will be a long time before a similar venerability in literature is acquired by the real solar system, in which Earth is a spinning planet encircling a minor star.

On behalf of this other truth, that special truth sought in literature, E. L. Doctorow asks,
Who would give up the Iliad for the “real” historical record? Of course the writer has a responsibility, whether as solemn interpreter or satirist, to make a composition that serves a revealed truth. But we demand that of all creative artists, of whatever medium. Besides which a reader of fiction who finds, in a novel, a familiar public figure saying and doing things not reported elsewhere knows he is reading fiction. He knows the novelist hopes to lie his way to a greater truth than is possible with factual reportage. The novel is an aesthetic rendering that would portray a public figure interpretively no less than the portrait on an easel. The novel is not read as a newspaper is read; it is read as it is written, in the spirit of freedom.
Picasso expressed the same idea summarily: “Art is the lie that helps us to see the truth.”

The creative arts became possible as an evolutionary advance when humans developed the capacity for abstract thought. The human mind could then form a template of a shape, or a kind of object, or an action, and pass a concrete representation of the conception to another mind. Thus was first born true, productive language, constructed from arbitrary words and symbols. Language was followed by visual art, music, dance, and the ceremonies and rituals of religion.

The exact date at which the process leading to authentic creative arts is unknown. As early as 1.7 million years ago, ancestors of modern humans, most likely Homo erectus, were shaping crude teardrop-shaped stone tools. Held in the hand, they were probably used to chop up vegetables and meat. Whether they were also held in the mind as a mental abstraction, rather than merely created by imitation among group members, is unknown.

By 500,000 years ago, in the time of the much brainier Homo heidelbergensis, a species intermediate in age and anatomy between Homo erectus and Homo sapiens, the hand axes had become more sophisticated, and they were joined by carefully crafted stone blades and projectile points. Within another 100,000 years, people were using wooden spears, which must have taken several days and multiple steps to construct. In this period, the Middle Stone Age, the human ancestors began to evolve a technology based on a true, abstraction-based culture.

Next came pierced snail shells thought to be used as necklaces, along with still more sophisticated tools, including well-designed bone points. Most intriguing are engraved pieces of ocher. One design, 77,000 years old, consists of three scratched lines that connect a row of nine X-shaped marks. The meaning, if any, is unknown, but the abstract nature of the pattern seems clear.

Burials began at least 95,000 years ago, as evidenced by thirty individuals excavated at Qafzeh Cave in Israel. One of the dead, a nine-year-old child, was positioned with its legs bent and a deer antler in its arms. That arrangement alone suggests not just an abstract awareness of death but also some form of existential anxiety. Among today’s hunter-gatherers, death is an event managed by ceremony and art.

The beginnings of the creative arts as they are practiced today may stay forever hidden. Yet they were sufficiently established by genetic and cultural evolution for the “creative explosion” that began approximately 35,000 years ago in Europe. From this time on until the Late Paleolithic period over 20,000 years later, cave art flourished. Thousands of figures, mostly of large game animals, have been found in more than two hundred caves distributed through southwestern France and northeastern Spain, on both sides of the Pyrenees. Along with cliffside drawings in other parts of the world, they present a stunning snapshot of life just before the dawn of civilization.

The Louvre of the Paleolithic galleries is at the Grotte Chauvet in the Ardèche region of southern France. The masterpiece among its productions, created by a single artist with red ocher, charcoal, and engraving, is a herd of four horses (a native wild species in Europe at that time) running together. Each of the animals is represented by only its head, but each is individual in character. The herd is tight and oriented obliquely, as though seen from slightly above and to the left. The edges of the muzzles were chiseled into bas relief to bring them into greater prominence. Exact analyses of the figures have found that multiple artists first painted a pair of rhinoceros males in head-to-head combat, then two aurochs (wild cattle) facing away. The two groups were placed to leave a space in the middle. Into the space the single artist stepped to create his little herd of horses.

The rhinos and cattle have been dated to 32,000–30,000 years before the present, and the assumption has been that the horses are that old as well. But the elegance and technology evident in the horses have led some experts to reckon their provenance as dating to the Magdalenian period, which extended from 17,000 to 12,000 years ago. That would align the origin with the great works on the cave walls of Lascaux in France and Altamira in Spain.

Apart from the exact date of the Chauvet herd’s antiquity, the important function of the cave art remains uncertain. There is no reason to suppose the caves served as proto-churches, in which bands gathered to pray to the gods. The floors are covered with the remains of hearths, bones of animals, and other evidences of long-term domestic occupation. The first Homo sapiens entered central and eastern Europe around 45,000 years ago. Caves in that period obviously served as shelters that allowed people to endure harsh winters on the Mammoth Steppe, the great expanse of grassland that extended below the continental ice sheet across the whole of Eurasia and into the New World.
Perhaps, some writers have argued, the cave paintings were made to conjure sympathetic magic and increase the success of hunters in the field. This supposition is supported by the fact that a great majority of the subjects are large animals. Furthermore, 15 percent of these animal paintings depict animals that have been wounded by spears or arrows.

Additional evidence of a ritualistic content in the European cave art has been provided by the discovery of a painting of what is most likely a shaman with a deer headdress, or possibly a real deer’s head. Also preserved are sculptures of three “lion-men,” with human bodies and the heads of lions—precursors of the chimeric half-animal-half-gods later to show up in the early history of the Middle East. Admittedly, we have no testable idea of what the shaman did or the lion-men represented.

A contrary view of the role of cave art has been advanced by the wildlife biologist R. Dale Guthrie, whose masterwork The Nature of Paleolithic Art is the most thorough on the subject ever published. Almost all of the art, Guthrie argues, can be explained as the representations of everyday Aurignacian and Magdalenian life. The animals depicted belong to the species the cave dwellers regularly hunted (with a few, like lions, that may have hunted people), so naturally that would be a regular subject for talk and visual communication. There were also more figures of humans or at least parts of the human anatomy that are usually not mentioned in accounts of cave art. These tend to be pedestrian. The inhabitants often made prints by holding their hands on the wall and spewing ocher powder from their mouths, leaving an outline of spread thumb and fingers behind. The size of the hands indicates that it was mostly children who engaged in this activity. A good many graffiti are present as well, with meaningless squiggles and crude representations of male and female genitalia common among them. Sculptures of grotesque obese women are also present and may have been offerings to the spirits or gods to increase fertility—the little bands needed all the members they could generate. On the other hand, the sculptures might as easily have been an exaggerated representation of the plumpness in women desired during the frequent hard times of winter on the Mammoth Steppe.

The utilitarian theory of cave art, that the paintings and scratchings depict ordinary life, is almost certainly partly correct, but not entirely so. Few experts have taken into account that there also occurred, in another wholly different domain, the origin and use of music. This event provides independent evidence that at least some of the paintings and sculptures did have a magical content in the lives of the cave dwellers. A few writers have argued that music had no Darwinian significance, that it sprang from language as a pleasant “auditory cheesecake,” as one author once put it. It is true that scant evidence exists of the content of the music itself—just as, remarkably, we have no score and therefore no record of Greek and Roman music, only the instruments. But musical instruments also existed from an early period of the creative explosion. “Flutes,” technically better classified as pipes, fashioned from bird bones, have been found that date to 30,000 years or more before the present. At Isturitz in France and other localities some 225 reputed pipes have been so classified, some of which are of certain authenticity. The best among them have finger holes set in an oblique alignment and rotated clockwise to a degree seemingly meant to line up with the fingers of a human hand. The holes are also beveled in a way that allows the tips of the fingers to be sealed against them. A modern flutist, Graeme Lawson, has played a replica made from one of them, albeit of course without a Paleolithic score in hand.

Other artifacts have been found that can plausibly be interpreted as musical instruments. They include thin flint blades that, when hung together and struck, produce pleasant sounds like those from wind chimes. Further, although perhaps just a coincidence, the sections of walls on which cave paintings were made tend to emit arresting echoes of sound in their vicinity.

Was music Darwinian? Did it have survival value for the Paleolithic tribes that practiced it? Examining the customs of contemporary hunter-gatherer cultures from around the world, one can hardly come to any other conclusion. Songs, usually accompanied by dances, are all but universal. And because Australian aboriginals have been isolated since the arrival of their forebears about 45,000 years ago, and their songs and dances are similar in genre to those of other hunter-gatherer cultures, it is reasonable to suppose that they resemble the ones practiced by their Paleolithic ancestors.

Anthropologists have paid relatively little attention to contemporary hunter-gatherer music, relegating its study to specialists on music, as they are also prone to do for linguistics and ethnobotany (the study of plants used by the tribes). Nonetheless, songs and dances are major elements of all hunter-gatherer societies. Furthermore, they are typically communal, and they address an impressive array of life issues. The songs of the well-studied Inuit, Gabon pygmies, and Arnhem Land aboriginals approach a level of detail and sophistication comparable to those of advanced modern civilizations. The musical compositions of modern hunter-gatherers generally serve basically as tools that invigorate their lives. The subjects within the repertoires include histories and mythologies of the tribe as well as practical knowledge about land, plants, and animals.

Of special importance to the meaning of game animals in the Paleolithic cave art of Europe, the songs and dances of the modern tribes are mostly about hunting. They speak of the various prey; they empower the hunting weapons, including the dogs; they appease the animals they have killed or are about to kill; and they offer homage to the land on which they hunt. They recall and celebrate successful hunts of the past. They honor the dead and ask the favor of the spirits who rule their fates.

It is self-evident that the songs and dances of contemporary hunter-gatherer peoples serve them at both the individual and the group levels. They draw the tribal members together, creating a common knowledge and purpose. They excite passion for action. They are mnemonic, stirring and adding to the memory of information that serves the tribal purpose. Not least, knowledge of the songs and dances gives power to those within the tribe who know them best.

To create and perform music is a human instinct. It is one of the true universals of our species. To take an extreme example, the neuroscientist Aniruddh D. Patel points to the Pirahã, a small tribe in the Brazilian Amazon: “Members of this culture speak a language without numbers or a concept of counting. Their language has no fixed terms for colors. They have no creation myths, and they do not draw, aside from simple stick figures. Yet they have music in abundance, in the form of songs.”

Patel has referred to music as a “transformative technology.” To the same degree as literacy and language itself, it has changed the way people see the world. Learning to play a musical instrument even alters the structure of the brain, from subcortical circuits that encode sound patterns to neural fibers that connect the two cerebral hemispheres and patterns of gray matter density in certain regions of the cerebral cortex. Music is powerful in its impact on human feeling and on the interpretation of events. It is extraordinarily complex in the neural circuits it employs, appearing to elicit emotion in at least six different brain mechanisms.

Music is closely linked to language in mental development and in some ways appears to be derived from language. The discrimination patterns of melodic ups and downs are similar. But whereas language acquisition in children is fast and largely autonomous, music is acquired more slowly and depends on substantial teaching and practice. There is, moreover, a distinct critical period for learning language during which skills are picked up swiftly and with ease, whereas no such sensitive period is yet known for music. Still, both language and music are syntactical, being arranged as discrete elements—words, notes, and chords. Among persons with congenital defects in perception of music (composing 2 to 4 percent of the population), some 30 percent also suffer disability in pitch contour, a property shared in parallel manner with speech.

Altogether, there is reason to believe that music is a newcomer in human evolution. It might well have arisen as a spin-off of speech. Yet, to assume that much is not also to conclude that music is merely a cultural elaboration of speech. It has at least one feature not shared with speech—beat, which in addition can be synchronized from song to dance.

It is tempting to think that the neural processing of language served a preadaptation to music, and that once music originated it proved sufficiently advantageous to acquire its own genetic predisposition. This is a subject that will greatly reward deeper additional research, including the synthesis of elements from anthropology, psychology, neuroscience, and evolutionary biology.

E.O. Wilson is Pellegrino University Professor emeritus.
Posted by william harryman at Thursday, May 03, 2012 0 comments
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Labels: Art, biology, books, cultural evolution, culture, evolution, sociobiology, sociology

Thursday, March 29, 2012

Public Voices: Steven Pinker and Robert Jay Lifton at The New School for Social Research

Back in January, Robert Jay Lifton and and Steven Pinker had an exchange in the NY Times (included below the video) when Lifton wrote a letter the editors in response to the review of Pinker's new book, The Better Angels of Our Nature: Why Violence Has Declined. Lifton is the author of Witness to an Extreme Century: A Memoir, a book that takes a very different perspective than Pinker's. The New School of Social Work invited them to have a public discussion, moderated by William Hirst, Professor of Psychology in the New School for Social Research.

Public Voices: Steven Pinker and Robert Jay Lifton



A conversation between two distinguished social researchers and commentators,Steven Pinker and Robert Jay Lifton, about whether we live in a more or less violent time. Pinker's most recent book is The Better Angels of Our Nature: Why Violence Has Declined and Lifton is author of, most recently, Witness to an Extreme Century: A Memoir.

This discussion follows from an exchange between Pinker and Lifton published recently in the New York Times, "Sunday Dialogue: Do We Live in a Less Deadly Time, or Not?". William Hirst, Professor of Psychology in the New School for Social Research, will moderate. The event will close with audience Q&A.
Here is the whole discussion as published in the NY Times:

Sunday Dialogue: Do We Live in a Less Deadly Time, or Not?

Published: January 7, 2012 Robert Jay Lifton, Steven Pinker and readers discuss violence in this and other eras. 

Eleanor Davis

The Letter

To the Editor:
I have been studying violent events for several decades, so I was deeply interested in Steven Pinker’s new book, “The Better Angels of Our Nature,” which claims that violence has long been declining and that this may be our most peaceful era in our species’ existence. Dr. Pinker argues that, over centuries, human beings have become less prone to kill and engage in torture and other cruel and sadistic behavior. 

I have not experienced the 20th and 21st centuries that way. My work has taken me to Auschwitz and Hiroshima, and I have come to see these two dreadful events as largely defining our era. 

Our subsequent development not only in nuclear but also chemical and biological weapons, and our pollution of the planet with our wastes, suggest further directions of mass killing and dying. 

The deaths over the last two centuries reflect a revolution in the technology of killing. During the 20th century we saw the emergence of extreme forms of numbed technological violence, in which unprecedented, virtually unlimited numbers of people could be killed. Those who did the killing could be completely separated, geographically and psychologically, from their victims. 

Millions of people were also killed during the 20th century in more old-fashioned, low-tech ways during genocides, induced famines and wars. 

There is a terrible paradox here. Dr. Pinker and others may be quite right in claiming that for most people alive today, life is less violent than it has been in previous centuries. But never have human beings been in as much danger of destroying ourselves collectively, of endangering the future of our species. 

We are not helpless about our fate. There could not be a more crucial moment to draw upon our gradual taming of individual violence, along with our growing awareness of the grotesque consequences of numbed technological violence, to achieve lasting forms of what can be called peace. 

ROBERT JAY LIFTON
New York, Jan. 3, 2012
The writer is a psychiatrist and the author of, most recently, “Witness to an Extreme Century: A Memoir.”

Readers React

Robert Jay Lifton has profoundly illuminated the human dimension of the 20th century’s most destructive events. Yet precisely because he has singled out the worst events of one century, his observations cannot speak to the prevalence of violence in the world as a whole, or to its trajectory over history. Only quantitative comparisons can do that, and they suggest that Hiroshima and Auschwitz do not, fortunately, define our era. 

Contrary to decades of predictions that nuclear world war was inevitable, no nuclear weapon has been used since Nagasaki, and today’s threats, as terrifying as they are, cannot compare to the now-defunct prospect of all-out war between the United States and the Soviet Union. 

Nor did the mid-20th-century genocides become the new normal. While the world has seen some horrific mass killings, the global rate of death from genocide has plummeted over the decades, and may now be at an all-time low. 

Estimates of the carnage wreaked by the swords, pikes and arrows of earlier centuries (and by the machetes of the past one) show that remote-control technologies are not necessary for high-volume killing. 

As fellow students of the human mind, Dr. Lifton and I might agree that the causes of violence lie not so much in the machinery of killing as in the psychology of killers: in the balance between tribalism, vengeance, sadism, amoral predation and toxic ideologies on the one hand, and compassion, self-control, fairness and reason on the other. 

The fact that the balance can change (and, I argue, has changed) over time is perhaps the firmest ground for another shared conviction: that we are not helpless about our fate. 

STEVEN PINKER
Cambridge, Mass., Jan. 4, 2012
The writer is a professor of psychology at Harvard and the author of “The Better Angels of Our Nature: Why Violence Has Declined.”
  

Steven Pinker and Robert Jay Lifton may be talking at cross-purposes. 

Dr. Pinker may be correct that the actual number of killings has declined over the centuries, which implies that any given person today stands less of a chance of dying violently than just a few centuries ago. But Dr. Lifton focuses on concentrated instances of mass killing in the 20th century, like Auschwitz and Hiroshima. He rightly implies that humanity’s capacity to kill has increased exponentially with the rise of industrialized technology. 

But these are two different analyses. Dr. Pinker’s is a statistical description of actual killings. Dr. Lifton’s is an appraisal of humanity’s potential to increase that number almost beyond imagining.
Perhaps the moral to be drawn from this comparison is that we can continue the encouraging trends that Dr. Pinker notes only if we’re wise enough to heed Dr. Lifton’s blood-chilling advisory.

MARK PACKER
Spartanburg, S.C., Jan. 5, 2012
The writer is a professor of interdisciplinary studies at the University of South Carolina, Upstate.
 

Robert Jay Lifton, picking up on Steven Pinker’s book “The Better Angels of Our Nature,” calls attention to the fact that most of the world’s people today experience less mass killing than in previous eras but endure the modern danger of “numbed technological violence.” Citing the horrific events in Auschwitz and Hiroshima in the 20th century, Dr. Lifton rightly acknowledges yet understates the perilous conditions facing marginalized peoples in our times. 

Having lived and worked in Africa and Southeast Asia for many years, I have observed structural violence there as a combination of human indignities and entrenched poverty. For the marginalized, systemic violence is a spiral of widespread rape, legalized and other forms of homophobia, chronic hunger and environmental degradation, often worsened by collusion among local elites and external interests in resource grabs. 

Lasting peace requires measures for controlling technologies of violence, plus achieving human dignity and alleviating poverty. 

JAMES H. MITTELMAN
Bethesda, Md., Jan. 4, 2012
The writer is a professor of international affairs at American University and the author of “Hyperconflict: Globalization and Insecurity.”
  

To judge whether the human species is more or less violent at different times in history, one requires a definition of violence. I have defined violence in my studies as acts and/or socially maintained conditions that inhibit human development by interfering with the fulfillment of universal human needs, including biological/material, social/psychological, productive/creative, security, self-actualization and spiritual needs. 

Using this concept of violence when examining global realities, one is forced to conclude that large segments of the global population of seven billion are victims of violent acts and conditions. They experience hunger, malnutrition, material and psychological poverty, widespread unemployment, lack of health care, including family planning, lack of meaningful education and adequate social supports, and lack of a sense of security. Moreover, they are subjected to economic and sexual exploitation. Their human development is consequently severely obstructed. 

These conditions, in addition to constant local and trans-local wars, suggest that the human species may be on a suicidal course rather than a course of declining violence. 

DAVID G. GIL
Lexington, Mass., Jan. 4, 2012
The writer is emeritus professor of social policy at Brandeis University and the author of “Violence Against Children: Physical Child Abuse in the United States.”
  

Robert Jay Lifton’s description of nuclear, chemical and biological warfare as well as environmental pollution provides him with ammunition for his argument that the 20th and 21st centuries reflect continuing fratricide. 

We need more Dr. Liftons. We need curbs and restraints, whether sponsored by the United Nations or promoted by individuals, states or nations. We need a United Nations with sanctions to halt violence. We need to be hailed as the decade that defined peace and made war obsolete. 

NANCY M. DAVIS
Avon, Conn., Jan. 4, 2012
  

Both Steven Pinker and Robert Jay Lifton left out of their observations what can be referred to a as “structural violence,” a system placing profit over human need resulting in social problems like extreme poverty, lacks of security in old age, access to health care, and socially useful work at reasonable wages. 

By and large, we have become dulled to such violence, which is something like the “banality of evil” that Hannah Arendt spoke about. These growing economic and social inequalities within and among countries can easily lead to full-scale wars, as former President Jimmy Carter suggested upon accepting the Nobel Peace Prize. Fortunately, movements like Occupy Wall Street may have awakened some of us to such inequities, which are socially violent. 

JOSEPH WRONKA
Springfield, Mass., Jan. 4, 2012
The writer, a professor of social work at Springfield College, is permanent representative to the United Nations in Geneva for the International Association of Schools of Social Work.
  

Robert Jay Lifton’s critique of Steven Pinker’s thesis brings to mind the usefulness of the adage that not everything that counts can be counted, and not everything that can be counted counts. 

Dr. Pinker’s argument depends on statistics, but Dr. Lifton’s rejoinder depends on the historical sense that modernity has been permeated by violence in ever-diversifying forms. 

We have come to accept a permanent state of war as the “new normal.” Societies throughout the world, including our own, suffer from the structural violence of poverty, inequality, pollution, hunger, racism and so on. And now we read daily reports of soldiers suffering from post-traumatic stress disorder — invisible violence that is often overlooked by the statistics. 

MARK HUSSEY
Nyack, N.Y., Jan. 4, 2012
  

I side more with Robert Jay Lifton than with Steven Pinker. My recent book looked at war frequency and fatalities since 1816. Sadly, the number of wars remains about the same. 

For instance, in the period 1816 to 1825, there were eight wars continuing in the world; in 1996 to 2005, there were twice that — a rate of 17 a year. 

In the last five years, there have been eight wars a year, the same number as two centuries ago. Forty-two civil wars started in the 1990s, more than in any previous decade in the last two centuries.
Not surprisingly, the number of civil wars has gone down in the first decade of the 21st century. Statistically, something that’s been the worst ever will tend to improve at the next measuring point. This also happens if one compares current death rates to World War II. 

Meanwhile, as Dr. Lifton indicated, millions can die with the push of a button. We continue to live in an age of great power, great insecurity and, alas, war. 

FRANK WAYMAN
Dearborn, Mich., Jan. 4, 2012
The writer, a professor of political science at the University of Michigan, Dearborn, is co-author of “Resort to War: 1816-2007.”
  

I couldn’t agree more with Robert Jay Lifton. He knows history. He knows humanity. His books about Hiroshima and nuclear war are a testimony to a human being who cares about the survival of the species. 

His statement that “we are not helpless about our fate” points to a future where “occupiers of the Progressive mind” will bring the nation’s power brokers to their knees, and their deadly game of nuclear roulette will become a dim memory for generations to come. 

DAVID ROTHAUSER
Brookline, Mass., Jan. 5, 2012


The Writer Responds

My concern is with the new dimension of violence at this moment in human history. The lethal technologies of Hiroshima and Auschwitz have vastly improved since the mid-20th century. Nuclear weapons can be made in various sizes, can continue to proliferate to other countries and possibly terrorist groups, and now enable us to do what in the past only God could do: destroy the world.
This capacity for killing in numbers nothing short of the infinite cannot be adequately grasped by statistics concerning past war-making and killing. 

Nor can we simply say, as Dr. Pinker does, that “the causes of violence lie not so much in the machinery of killing as in the psychology of killers.” Rather, I would point to the dynamic of mind and technology, in which the technology creates a psychological attraction to ultimate power and protection from painful feelings associated with more direct forms of killing. 

People who construct nuclear weapons or plan their possible use do not have to be angry. They need only be socialized to the ideology of nuclear necessity, whether for “national security” or “deterrence” or other plausible purposes. 

Of course there has been more to the 20th and 21st centuries than Auschwitz and Hiroshima. But they are nonetheless defining events in that they brutally displayed this new killing potential and created the imagery of extinction that continues to haunt us. 

I agree with Drs. Mittelman, Gil and Wronka and Mr. Hussey about the more insidious and widespread effects of structural or systemic forms of violence. As for Ms. Davis’s generous sentiment that “we need more Dr. Liftons,” I have to say that there are those who think that one is more than enough. 

I’m also in full agreement with Dr. Pinker and the other letter writers about our capacity to take constructive steps to diminish the dangers we face. Indeed, much protest over the years has sought to do that, whether as 1960s and 1980s opposition to war and weaponry or today’s Occupy movement. We would do well to channel more of this protest into combating all violence, but especially the numbed technological variety. 

ROBERT JAY LIFTON
New York, Jan. 5, 2012
Posted by william harryman at Thursday, March 29, 2012 0 comments
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