Orwell's "Animal Farm" as an Animated Film

Via Snag Films, the 1955 animated version of George Orwell's classic political allegory, Animal Farm, is as much as was the original book. Here is a good synopsis from Wikipedia:

Animal Farm is an allegorical novel by George Orwell published in England on 17 August 1945. According to Orwell the book reflects events leading up to the Russian Revolution of 1917, and then on into the Stalin era in the Soviet Union.[1] Orwell, a democratic socialist,[2] was a critic of Joseph Stalin and hostile to Moscow-directed Stalinism, especially after his experiences with the NKVD and the Spanish Civil War.[3] The Soviet Union he believed, had become a brutal dictatorship, built upon a cult of personality and enforced by a reign of terror. In a letter to Yvonne Davet, Orwell described Animal Farm as his novel "contre Stalin"[4] and in his essay of 1946, Why I Write, he wrote that Animal Farm was the first book in which he had tried, with full consciousness of what he was doing, "to fuse political purpose and artistic purpose into one whole".

The original title was Animal Farm: A Fairy Story, but the subtitle was dropped by U.S. publishers for its 1946 publication and subsequently all but one of the translations during Orwell's lifetime omitted the addition. Other variations in the title include: A Satire and A Contemporary Satire.[4] Orwell suggested the title Union des républiques socialistes animales for the French translation, which recalled the French name of the Soviet Union, Union des républiques socialistes soviétiques, and which abbreviates to URSA, the Latin for "bear", a symbol of Russia.[4]

It was written at a time (November 1943-February 1944) when the wartime alliance with the Soviet Union was at its height and Stalin was held in highest esteem in Britain both among the people and intelligentsia, a fact that Orwell hated.[5] It was initially rejected by a number of British and American publishers, including one of Orwell's own, Victor Gollancz. Its publication was thus delayed, though it became a great commercial success when it did finally appear—in part because the Cold War so quickly followed WW2.[6]

Time magazine chose the book as one of the 100 best English-language novels (1923 to 2005);[7] it also places at number 31 on the Modern Library List of Best 20th-Century Novels. It won a Retrospective Hugo Award in 1996 and is also included in the Great Books of the Western World.

The novel addresses not only the corruption of the revolution by its leaders but also how wickedness, indifference, ignorance, greed and myopia corrupt the revolution. It portrays corrupt leadership as the flaw in revolution, rather than the act of revolution itself. It also shows how potential ignorance and indifference to problems within a revolution could allow horrors to happen if a smooth transition to a people's government is not achieved.

Enjoy!

Animal Farm 

(1955) 73 mins

Animal Farm Synopsis
George Orwell's classic satire in a feature-length animated film. A brilliant and captivating tale that cleverly points out faults in human nature and politics. 

Film CreditsStarring: Maurice Denham, Gordon HeathDirector: John Halas  

The BBC Presents a New Dramatization of Orwell’s 1984, with Christopher Eccleston as Winston Smith

Via Open Culture, the curators of cool on the internets. As a bonus, I have included a 1954 film version of the book at the bottom (starring Peter Cushing and Yvonne Mitchell.)

The BBC Presents a New Dramatization of Orwell’s 1984, with Christopher Eccleston as Winston Smith

February 15th, 2013



Like the idea of totalitarianism, perhaps best articulated by Hannah Arendt in her post-war Origins of Totalitarianism, George Orwell’s post-war scrutiny of repressive governments has become a staple, catch-all reference for pundits on either side of the political spectrum, particularly the concepts of doublespeak, doublethink, historical revisionism, and the hyper-intrusive Big Brother, all from the 1949 novel 1984. In fact, few adjectives seem to get deployed with more frequency in urgent political discourse of all kinds than “Orwellian.” But the name George Orwell, pen name of journalist Eric Blair, hides an enigma: Orwell identified himself explicitly as a Democratic Socialist of a particularly English bent (most notably in his essay “The Lion and the Unicorn”), but his scathing critiques of nearly every existing institution sometimes make it hard to pin him down as a partisan of anything but the kind of freedom and openness that everyone vaguely wants to advocate. That ambiguity is a strength; despite his steadfast leftist roots, Orwell would not be a partisan hack—where he saw stupidity, avarice, and brutal inhumanity, he called it out, no matter the source.

The seeming contradictions and ironies that permeate Orwell’s thought and fiction are also what keep his work perennially interesting and worth rereading and revisiting. He was a probing and unsentimental critic of the motives of propagandists of all stripes, both left and right. Beginning in late January, BBC Radio 4 launched a month-long series on Orwell, with the avowedly ironic name, “The Real George Orwell.” Part of the irony comes from the fact that Orwell (or Blair) once worked as a propagandist for the BBC during WWII, and later based the torture area in 1984, Room 101, on a meeting room he recalled from his time there. His experiences with the state broadcasting network were not pleasant in his memory. Nonetheless, his former employer honors him this month with an extensive retrospective, including readings and dramatizations of his essays and journalism, his semi-autobiographical accounts Down and Out in Paris and London and Homage to Catalonia, and his novels Animal Farm and 1984.



In this latest dramatization of Orwell’s most famous novel, protagonist Winston Smith is voiced by actor Christopher Eccleston, who has inhabited another key post-war character in English fiction, Dr. Who (Pippa Nixonvoices Julia). In a brief discussion of what he takes away from the novel, Eccleston (above) draws out some of the reasons that 1984 appeals to so many people who might agree on almost nothing else. At the heart of the novel is the kind of humanist individualism that Orwell never abandoned and that he championed against Soviet-style state communism and hard-right imperialist authoritarianism both. Winston Smith is an embodiment of human dignity, celebrated for his struggle to “love, remember, and enjoy life,” as Eccleston says. “It’s the human story that means that we keep coming back to it and that keeps it relevant.” Listen to a brief clip of the1984 dramatization at the top of this post, and visit BBC Radio 4’s site to hear parts one and two of the full broadcast, which is available online for the next year. When Europe and America both seem rent in two by competing and incompatible social and political visions, it’s at least some comfort to know that no one wants to live in the world Orwell foresaw. Despite his novel’s deeply pessimistic ending, Orwell’s own career of fierce resistance to oppressive regimes offers a model for action against the dystopian future he imagined.

For other free, online readings of Orwell’s work, you can visit our archives of Free Audio Books, where you’ll find:

• 1984 – Free MP3 Zip File – Multiple Versions, Free eBook available here.
• Animal Farm – Free MP3 Zip File – Free iTunes, Free eBook available here.
• Homage to Catalonia – Chapter 1 here – Remaining Chapters here

Related Content:

• Aldous Huxley Reads Dramatized Version of Brave New World
• Free: Isaac Asimov’s Epic Foundation Trilogy Dramatized in Classic Audio

Also find major works by Orwell in our collection of Free eBooks

Josh Jones is a writer, editor, and musician based in Washington, DC. Follow him @jdmagness

By the way, you can watch an older version of 1984 online (a 1954 production of the novel):