Poem - A.R. Ammons: Easter Morning

Easter Morning

by A. R. Ammons


I have a life that did not become,
that turned aside and stopped,
astonished:
I hold it in me like a pregnancy or
as on my lap a child
not to grow old but dwell on

it is to his grave I most
frequently return and return
to ask what is wrong, what was
wrong, to see it all by
the light of a different necessity
but the grave will not heal
and the child,
stirring, must share my grave
with me, an old man having
gotten by on what was left

when I go back to my home country in these
fresh far-away days, it’s convenient to visit
everybody, aunts and uncles, those who used to say,
look how he’s shooting up, and the
trinket aunts who always had a little
something in their pocketbooks, cinnamon bark
or a penny or nickel, and uncles who
were the rumored fathers of cousins
who whispered of them as of great, if
troubled, presences, and school

teachers, just about everybody older
(and some younger) collected in one place
waiting, particularly, but not for
me, mother and father there, too, and others
close, close as burrowing
under skin, all in the graveyard
assembled, done for, the world they
used to wield, have trouble and joy
in, gone

the child in me that could not become
was not ready for others to go,
to go on into change, blessings and
horrors, but stands there by the road
where the mishap occurred, crying out for
help, come and fix this or we
can’t get by, but the great ones who
were to return, they could not or did
not hear and went on in a flurry and
now, I say in the graveyard, here
lies the flurry, now it can’t come
back with help or helpful asides, now
we all buy the bitter
incompletions, pick up the knots of
horror, silently raving, and go on
crashing into empty ends not
completions, not rondures the fullness
has come into and spent itself from

I stand on the stump
of a child, whether myself
or my little brother who died, and
yell as far as I can, I cannot leave this place,
for me it is the dearest and the worst,
it is life nearest to life which is
life lost: it is my place where
I must stand and fail,
calling attention with tears
to the branches not lofting
boughs into space, to the barren
air that holds the world that was my world

though the incompletions
(& completions) burn out
standing in the flash high-burn
momentary structure of ash, still it
is a picture-book, letter-perfect
Easter morning: I have been for a
walk: the wind is tranquil: the brook
works without flashing in an abundant
tranquility: the birds are lively with
voice: I saw something I had
never seen before: two great birds,
maybe eagles, blackwinged, whitenecked
and –headed, came from the south oaring
the great wings steadily; they went
directly over me, high up, and kept on
due north: but then one bird,
the one behind, veered a little to the
left and the other bird kept on seeming
not to notice for a minute: the first
began to circle as if looking for
something, coasting, resting its wings
on the down side of some of the circles:
the other bird came back and they both
circled, looking perhaps for a draft;
they turned a few more times, possibly
rising—at least, clearly resting—
then flew on falling into distance till
they broke across the local bush and
trees: it was a sight of bountiful
majesty and integrity: the having
patterns and routes, breaking
from them to explore other patterns or
better ways to routes, and then the
return: a dance sacred as the sap in
the trees, permanent in its descriptions
as the ripples round the brook’s
ripplestone: fresh as this particular
flood of burn breaking across us now
from the sun.

"Haunted" by Naomi Shihab Nye

A poem in honor of National Poetry Month from one of my favorite poets.

Haunted
by Naomi Shihab Nye

We are looking for your laugh.
Trying to find the path back to it
between drooping trees.
Listening for your rustle
under bamboo,
brush of fig leaves,
feeling your step
on the porch,
natty lantana blossom
poked into your buttonhole.
We see your raised face
at both sides of a day.
How was it, you lived around
the edge of everything we did,
seasons of ailing & growing,
mountains of laundry & mail?
I am looking for you first & last
in the dark places,
when I turn my face away
from headlines at dawn,
dropping the rolled news to the floor.
Your rumble of calm
poured into me.
There was the saving grace
of care, from day one, the watching
and being watched
from every corner of the yard.

* * * * * * *

Naomi Shihab Nye was born on March 12, 1952, in St. Louis, Missouri, to a Palestinian father and an American mother. During her high school years, she lived in Ramallah in Palestine, the Old City in Jerusalem, and San Antonio, Texas, where she later received her B.A. in English and world religions from Trinity University.

Nye is the author of numerous books of poems, including You and Yours (BOA Editions, 2005), which received the Isabella Gardner Poetry Award, as well as 19 Varieties of Gazelle: Poems of the Middle East (2002), a collection of new and selected poems about the Middle East, Fuel (1998), Red Suitcase (1994), and Hugging the Jukebox (1982).

Nye gives voice to her experience as an Arab-American through poems about heritage and peace that overflow with a humanitarian spirit. About her work, the poet William Stafford has said, "her poems combine transcendent liveliness and sparkle along with warmth and human insight. She is a champion of the literature of encouragement and heart. Reading her work enhances life."

Nye has received awards from the Texas Institute of Letters, the Carity Randall Prize, the International Poetry Forum, as well as four Pushcart Prizes. She has been a Lannan Fellow, a Guggenheim Fellow, and a Witter Bynner Fellow. In 1988 she received The Academy of American Poets' Lavan Award, selected by W. S. Merwin.

Her poems and short stories have appeared in various journals and reviews throughout North America, Europe, and the Middle and Far East. She has traveled to the Middle East and Asia for the United States Information Agency three times, promoting international goodwill through the arts.

She currently lives in San Antonio, Texas. She was elected a Chancellor of the Academy of American Poets in 2010.

Poems by Naomi Shihab Nye

Alive

Blood

Famous

Fuel

Haunted

Lying While Birdwatching

Making a Fist

Many Asked Me Not to Forget Them

Negotiations with a Volcano

San Antonio

Snow

Streets

The Man Whose Voice Has Been Taken From His Throat

The Words Under the Words

Two Countries

April is the cruellest month . . . . National Poetry Month

The Waste Land

by T.S. Eliot

"Nam Sibyllam quidem Cumis ego ipse oculis meis vidi
 in ampulla pendere, et cum illi pueri dicerent: Σιβυλλα
 τι θελεις; respondebat illa: αποθανειν θελω."

For Ezra Pound
il miglior fabbro.

I. The Burial of the Dead

April is the cruellest month, breeding
 Lilacs out of the dead land, mixing
 Memory and desire, stirring
 Dull roots with spring rain.
 Winter kept us warm, covering
 Earth in forgetful snow, feeding
 A little life with dried tubers.

Thus begins arguably the greatest poem of the 20th century, or possibly an century (follow the link in the title to read whole amazing poem - and read "The Hollow Men" as well, its companion piece).

In honor of National Poetry Month, here is a poem by Mark Strand. This form is called a prose poem for those who have never seen this form.

The Everyday Enchantment of Music
by Mark Strand

A rough sound was polished until it became a smoother sound, which was polished until it became music. Then the music was polished until it became the memory of a night in Venice when tears of the sea fell from the Bridge of Sighs, which in turn was polished until it ceased to be and in its place stood the empty home of a heart in trouble. Then suddenly there was sun and the music came back and traffic was moving and off in the distance, at the edge of the city, a long line of clouds appeared, and there was thunder, which, however menacing, would become music, and the memory of what happened after Venice would begin, and what happened after the home of the troubled heart broke in two would also begin.

new poem - the chant

It's been a long time since I have written a poem - but I saw this women the other day, rolled down my window to hear what she was saying out of curiosity . . . maybe this is not so much a poem as a snapshot.


the chant

"And it's not a cry that you hear at night
It's not somebody who's seen the light
It's a koan and it's a broken Hallelujah"
~ Leonard Cohen

she walks in circles
muttering about her daughter
and the man who beat them,
even in January
the Sonoran Desert sun
pounds the street corner
where she awaits her bus,
but no one looks up
at her, no one asks
if she is okay,
if she needs help
for the bruises tattooing
her cheek and lips,
the small spot of dried
blood beneath her nose,
as she continues
the story, walking round
and round, almost chanting,
"I tried . . . I tried
. . . I tried . . ."