Anémic Cinéma: Marcel Duchamp’s Whirling Avant-Garde Film (1926)
October 24th, 2011
Marcel Duchamp (1887–1968) made some heady art. His whole goal was to “put art back in the service of the mind,” or to create what Jasper Johns once called the “field where language, thought and vision act on one another.” And that’s precisely what Duchamp’s 1926 avant-garde film Anémic Cinéma delivers.Drawing on his inheritance, Duchamp shot Anémic Cinéma (almost a palindrome) in Man Ray’s studio with the help of cinematographer Marc Allégret. The Dada-inspired film features nine whirling optical illusions, known as Rotoreliefs, alternating with spiraling puns and complex word play. (Vision acts on language and thought, indeed.) The text of the puns appears below the jump. We didn’t attempt to translate them, in part because there’s a convincing case that translations can’t do them justice in any way.Anémic Cinéma appears in our collection of Free Movies. Find it listed in the Animation and Silent Film sections. If you want to dive deeper into the concepts underlying the film, this piece is worth a read. SmartHistory also offers a nice audio introduction to Duchamp’s body of work. H/TDangerous MindsRelated Content:
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Tuesday, October 25, 2011
Open Culture - Anémic Cinéma: Marcel Duchamp’s Whirling Avant-Garde Film (1926)
Awesome - Duchamp is one of my favorite artists.
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