Howl: movie review
In 'Howl,' the drama centers on the obscenity trial Allen Ginsburg faced after publishing his poem by the same name.
As Allen Ginsberg, James Franco is shown in a scene from the movie 'Howl.'
“Howl” is a curious combination of fiction film, documentary, animation, and biopic. The famous, eponymous Allen Ginsberg poem that gives the film its title is also its centerpiece. As Ginsberg, James Franco, despite at first seeming miscast, gives a sly, freewheeling performance, and many other Beat Generation icons pass through the maelstrom, including Jack Kerouac (Todd Rotondi) and Peter Orlovski (Aaron Tveit).
The famous 1957 obscenity trial that the poem gave rise to is dramatized and reaches its bewildering climax when the chief prosecutor, played by David Strathairn, admits he doesn’t really understand what “Howl,” a neo-Whitmanesque cri de coeur that defined a generation, is all about.
The language of that poem, which periodically pours out from the screen, is the best thing in the movie. The worst thing: the interpolated animated sequences that are meant to “illustrate” the poem but which can’t begin to compete with the imagery evoked by Ginsberg’s words. Grade: B (Unrated.)
Offering multiple perspectives from many fields of human inquiry that may move all of us toward a more integrated understanding of who we are as conscious beings.
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Saturday, October 02, 2010
Howl: movie review (Christian Science Monitor)
I have been looking forward to this movie - but this review deflates my expectations a bit. But this is the first review I have seen, so maybe others will be more enthusiastic.
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