Sunday Poet: William Carlos Williams

Blizzard

Snow falls:
years of anger following
hours that float idly down --
the blizzard
drifts its weight
deeper and deeper for three days
or sixty years, eh? Then
the sun! a clutter of
yellow and blue flakes --
Hairy looking trees stand out
in long alleys
over a wild solitude.
The man turns and there --
his solitary track stretched out
upon the world.

Here is some biography on Williams from the Academy of American Poets:

William Carlos Williams was born in Rutherford, New Jersey, in 1883. He began writing poetry while a student at Horace Mann High School, at which time he made the decision to become both a writer and a doctor. He received his M.D. from the University of Pennsylvania, where he met and befriended Ezra Pound. Pound became a great influence in Williams' writing, and in 1913 arranged for the London publication of Williams's second collection, The Tempers. Returning to Rutherford, where he sustained his medical practice throughout his life, Williams began publishing in small magazines and embarked on a prolific career as a poet, novelist, essayist, and playwright. Following Pound, he was one of the principal poets of the
Imagist movement, though as time went on, he began to increasingly disagree with the values put forth in the work of Pound and especially Eliot, who he felt were too attached to European culture and traditions. Continuing to experiment with new techniques of meter and lineation, Williams sought to invent an entirely fresh—and singularly American—poetic, whose subject matter was centered on the everyday circumstances of life and the lives of common people. His influence as a poet spread slowly during the twenties and thirties, overshadowed, he felt, by the immense popularity of Eliot's "The Waste Land"; however, his work received increasing attention in the 1950s and 1960s as younger poets, including Allen Ginsberg and the Beats, were impressed by the accessibility of his language and his openness as a mentor. His major works include Kora in Hell (1920), Spring and All (1923), Pictures from Brueghel and Other Poems (1962), the five-volume epic Paterson (1963, 1992), and Imaginations (1970). Williams's health began to decline after a heart attack in 1948 and a series of strokes, but he continued writing up until his death in New Jersey in 1963.

Over the years, it has become increasingly apparent that there are two major lineages in American poetry of the 20th century -- one that began with Williams and that favors an open, less forced approach, and one that begins with Eliot/Pound and favors a more elitist and contrived approach. Both are important and many poets are now pulling from both schools.

Williams felt he never got the credit he deserved, and to a certain extent that is true. But he helped shaped an uniquely American poetry that led to such important poets as Ginsberg, Cid Corman, Robert Creeley, Denise Levertov (who was British at first but adopted an American style when she came to this country), and many others.

Perhaps no other poem stands out so much from my years in college as "The Red Wheelbarrow":

so much depends
upon

a red wheel
barrow

glazed with rain
water

beside the white
chickens.

That poem, along with the work of e.e. cummings, completely up-ended my notion of what a poem could be and how it could work.

Here are a couple of other poems from this master of free verse and imagery.

Spring and All

By the road to the
contagious hospital
under the surge of the blue
mottled clouds driven from
the northeast-a cold wind. Beyond, the
waste of broad, muddy fields
brown with dried weeds, standing and fallen

patches of standing water
the scattering of tall trees

All along the road the reddish
purplish, forked, upstanding, twiggy
stuff of bushes and small trees
with dead, brown leaves under them
leafless vines-

Lifeless in appearance, sluggish
dazed spring approaches-

They enter the new world naked,
cold, uncertain of all
save that they enter. All about them
the cold, familiar wind-

Now the grass, tomorrow
the stiff curl of wildcarrot leaf
One by one objects are defined-
It quickens: clarity, outline of leaf

But now the stark dignity of
entrance-Still, the profound change
has come upon them: rooted, they
grip down and begin to awaken


Pastoral

The little sparrows
hop ingenuously
about the pavement
quarreling
with sharp voices
over those things
that interest them.
But we who are wiser
shut ourselves in
on either hand
and no one knows
whether we think good
or evil.
Meanwhile,
the old man who goes about
gathering dog-lime
walks in the gutter
without looking up
and his tread
is more majestic than
that of the Episcopal minister
approaching the pulpit
of a Sunday.
These things
astonish me beyond words.

WC Williams on the web:
William Carlos William page, tons of info.
Academy of American Poets page, more good info.
PoemHunter, 85 poems.